Showing posts with label radio k. Show all posts
Showing posts with label radio k. Show all posts

Friday, January 1, 2021

Flatbasset Radio: Episode #138 (Best Of 2019 - Live On Radio K)

 

The new world is order is like the old world order...

 

Well hello again, everybody. Time to settle all of the 2019's business here on Episode #138.

Much like Episode #137, Flatbasset Radio: Episode #138 is more about continuing a tradition than actually garnering any new listeners. This isn't to say I didn't put the effort in to making this a quality episode. It definitely is. I just know that New Year's Day 2021 is not the ideal time to be posting a best of 2019 show considering all that's gone on in 2020.

Regardless, I do take pride in the annual countdowns and this is no exception. With that in mind, please take note of the other Flatbasset Radio episodes devoted to counting down the best of Radio K

Flatbasset Radio: Episode #53 (Best Of 2014)
Flatbasset Radio: Episode #71 (Best Of 2015)
Flatbasset Radio: Episode #90 (Best Of 2016)
Flatbasset Radio: Episode #114 (Best Of 2017)
Flatbasset Radio: Episode #134 (Best Of 2018)

Also, much like the countdown of Current songs, I'm hopelessly devoted to the live in-studio sessions that the folks at Radio K post each week. I highly, highly suggest you follow this link and check them out for yourselves. They really cover a lot of ground.

It was a really deep pool of great performances in Studio K in 2019, but I think I've narrowed it down to the 10 most exceptional.

Alright, let's get to the show.

As always, Flatbasset Radio is completely free. I've finally set up a decent downloading site, so if you'd like to download Flatbasset Radio: Episode #138 (with all the appropriate iTunes tagging), just click here.

Count it down, Robot Ralph!


 


10. Harper's Jar - Home Is A Roach Motel





09. Sister Species - Flatline

 


08. Palm Friends - Coming Soon


 


07. Under Violet - Angle


 


06. Iceblink - Dialoghi


 


05. Shredders - Vanilla ISIS


 


04. Laska - Iris


 


03. Shrinking Violets - Falling


 


02. Monica LaPlante - In Your Hands


 


01. Fragile Canyons - Here It Is

 

 

 


There you have it, folks. As a reminder, I paid no money for these songs and I receive no money for this podcast. I'm not affiliated with the U of M or Radio K in any way. I'm just a guy counting down the hits. Please don't sue me. 

Thanks for listening!

Flatbasset Radio Artwork by Ross Auger



For more Flatbasset Radio you can give me a follow on Twitter (@TCDroogsma).  Previous episodes of Flatbasset Radio are archived on my Mixcloud page and are available to download on my Archive page.

 

 

Monday, April 15, 2019

Flatbasset Radio: Episode #134 (Best Of 2018 - Live On Radio K)


You were the only rudder that I had...


Hello again, podcast fans! I've missed you! Welcome to Flatbasset Radio: Episode #134!

Now, I know you probably have two thoughts:

01. Wow, I figured this guy was done with this stupid podcast nobody listens to.

02. Is this really a best of 2018 podcast in April?

First, yes, I'm still doing the show. I've been meaning to do the show pretty much everyday since the last episode, but I've been very, very busy. Not with anything fun, mind you, just buys working & working & sleeping etc... Between my two jerbs I went from January 5th to April 12th without having one day that I didn't have to be working at least one of them (and frequently both). That's not a brag or an excuse or whatever, that's just what it is.

Second, yes, this really is a countdown show in April. These countdown shows are a couple of my favorite shows each year and I take a lot of pride in them. If I didn't do this show now (and just pushed on to a whole new episode) I'd never be able to do it. This Best Of Radio K countdown was very much the only show I could do.

(Speaking of which, check the archives)

Flatbasset Radio: Episode #53 (Best Of 2014)
Flatbasset Radio: Episode #71 (Best Of 2015)
Flatbasset Radio: Episode #90 (Best Of 2016)
Flatbasset Radio: Episode #114 (Best Of 2017)

Speaking of which - Welcome to the best of Radio K countdown! Not unlike the countdown of The Current songs from January, this is a countdown of my 10 favorite Live On Radio K songs from the last year.

Also, much like the countdown of Current songs, I'm hopelessly devoted to the live in-studio sessions that the folks at Radio K post each week. I highly, highly suggest you follow this link and check them out for yourselves. They really cover a lot of ground.

All that being said, let's get to this countdown. 10 songs, 35 minutes, co-hosted by Robot Ralph. No banter, no agenda, just straight up jams and robot voice.
Alright, let's get to the show.

As always, Flatbasset Radio is completely free. I've finally set up a decent downloading site, so if you'd like to download Flatbasset Radio: Episode #134 (with all the appropriate iTunes tagging), just click here.



Here we go!





 10. Panther Ray - Turn Off Today




09. Witch Watch - I Can Count To Infinity




08. Double Grave - Deadend




07. Joe Bartel - Song For A Car Thief




06. The Drug Budget - Add But Don't Keep Track




05. Dosh - Many Ways To Say I Love You




04. No Kim - Run Away




03. Jennie Lawless - Chokecherry




02. Pleasure Horse - Lonely (On The Weekend)




01. Bathtub Cig - Frankie On Lake St.







There you have it, folks. As a reminder, I paid no money for these songs and I receive no money for this podcast. I'm not affiliated with the U of M or Radio K in any way. I'm just a guy counting down the hits. Please don't sue me.




For more of my rantings you can give me a follow on Twitter (@TCDroogsma).  Previous episodes of Flatbasset Radio are archived on my Mixcloud page.  Stop by Flatbasset Radio's Facebook Page & give it a "Like" if you have the time.

Friday, January 6, 2017

Flatbasset Radio: Episode #90 (Best Of 2016 - Radio K Track Of The Day)


I might as well say what you mean to me...


Well hello, yet again, everybody! Welcome to Flatbasset Radio's countdown of the 10 best Radio K Track Of The Day songs of 2016!

That's right, two podcasts in one week! 2017 going in already!

Much like the last episode, this show is a countdown of free songs given away by a radio station. Unlike The Current's SOTD podcast, I haven't been following along with Radio K for quite as long. This marks just my third annual countdown of their top tracks.

The Best Of 2015
The Best Of 2014

Sadly, it seems as though this will probably be the last of the Radio K countdowns. Unfortunately they've done away with the Track Of The Day podcast and replaced it with a Spotify-based Radio K Singles Club. Somewhat ironically, I don't really fuck with streaming sites, so I won't be playing along with that one. They've also launched a K Sessions podcast that spotlights the best of the in-studio performances each month. It's been going since October and they skipped November and went right to December, so forgive me for being skeptical about its future.

None of that, however, has anything to do with today's countdown. If this really is the last year of a Radio K song-based podcast, it was a killer. Lots of great jams to choose from. As per tradition with year end countdowns I've limited by characters to 140 short-attention-span-holding characters.


As always, Flatbasset Radio is completely free. I've finally set up a decent downloading site, so if you'd like to download Flatbasset Radio: Episode #90 (with all the appropriate iTunes tagging), just click here.

If you don't have the time or desire to download the show, just click the Mixcloud player below and you're good to go. 



(Note: I forgot to plug in Robot Ralph after he co-hosted the Episode #89 countdown, so his juice was running out during this show. He's a trouper, though.)





10. Pale Spectre - A Song To My Dearest And Most Scornful Lovers - If Peter Murphy & Johnny Marr tried to write a Buzzcocks album they'd end up with Pale Spectre.



09. Sir Was - Falcon -I love the way this song starts at the bottom for each chorus regenerates itself. The Swedes know how to sell a hook.



08. Grape Whales - Middle Child - Another great new local band. Love how they just abandon the vocals for a second half guitar freakout.




07. James Supercave - Better Strange  - James Supercave is a group out of famously plastic L.A., which makes this hip-swinging rage against the status quo hit a bit harder.



06. Eagulls - Skipping - Is "Post-Brit Pop" a genre? I feel like Eagulls are post-Brit Pop.



05. William Tyler - Sunken Treasure - This song instantly transports me from frigid Minneapolis to an open highway with rolling hills & the windows down. I swear, it's magic.



04. Elohim - Sensations - I'm not usually about that "poptimist" lifestyle, but this song makes my ears bleed serotonin. Plus, there's no sex like floor sex.



03. Wages - Rattlesnake - I love the relentless forward trajectory of this one. Telling someone they take, take, take away the pain is the most honest compliment.



02. Hot Hot Heat - Kid Who Stays In The Picture - I still love Hot Hot Heat. Steve Bays' wrapping that voice around a hook will always bring me to a happy place.



01. The Pooches - Heart Attack
The Pooches were my favorite discovery of 2016. I've had this song pegged as #1 on this show since it came out in February. Check 'em out!






There you have it, folks. Back to regular shows next week




For more of my rantings you can give me a follow on Twitter (@TCDroogsma).  Previous episodes of Flatbasset Radio are archived on my Mixcloud page.  Stop by Flatbasset Radio's Facebook Page & give it a "Like" if you have the time.

Saturday, May 30, 2015

Album Of The Week: "Healthy Steps" by Straya



Flatbasset Radio's Album Of The Week for the week of May 25th-31st:


Straya - Healthy Steps

01. 2.0
02. Treat Me Like Prince
03. Richard Baggins
04. Sports Song
05. Set Me Up
06. Hazel
07. Killer Mike Saved My Life
08. Sauceman's
09. Comma Spaceman
10. Brotherman
11. You Can't Put Me On The Spot Like That, Man


Straya's been bubbling under the surface of the Twin Cities guitar scene for a couple of years now.  Their indie-prog sound perhaps a bit at odds with the loud-fast-scrappy guitar sound that's been the scene's calling card for years now, they seem to have been biding their time until they were able to present their music to the standards they require. While Healthy Steps is technically their debut album, if you've been following along since 2013. you'll notice that the album is the culmination of a lot of time and attention to detail.

When Straya first turned up on my radar, the only thing on their Bandcamp page were records titled Demos & EP One.  On those early albums the band's sound was similar to local legends The Plastic Constellations.  The guitar work was intricate, the lyrics were mostly yelling, and the band staked their post-punk claim with chops & charisma more than anything else.  Nonetheless, I enjoyed them enough to play "Chronologies" way back on Flatbasset Radio: Episode #35.

While neither of those albums appears to be available any longer, the fact that I was able to spend time with them gave me a deeper appreciation for where they're trying to go on Healthy Steps. The first half of the album opens with an instrumental titled "2.0," which, considering how the first half of the album gives us definitive versions of previously released songs, is an appropriate jumping off point.  "Chronologies" grew and morphed into "Treat Me Like Prince," previous stand-alone single "Richard Baggins" has been given an atmospheric scrubbing, while early classic "Set Me Up, Hazel" has been broken up into a two-part, high-octane centerpiece.  The lone new song on the records first half, "Sports Song" is a keyboard-inflected 5:00 epic that features Rush-esque time signature changes and vocals that wouldn't be out of place on a These Arms Are Snakes album.


With the instrumental "Killer Mike Saved My Life" acting as a mid-album palette cleanser (and most of Straya's older songs having been given their "definitive version" treatment) the second half of the album is where Straya 2.0 shines.  The four song "Man Suite" (as I've taken to calling the second half) is easily the band's most ambitious statement yet.  Over the course of 18:35 the band indulges in keyboard plunks, time changes, stops, starts, screamed vocals, shoegaze, clarity & fuzz.  "Sauceman's" opens with some keyboard/drums/bass work that would make both Donald Fagen & Geddy Lee proud before going full Minus The Bear.

A reworked and expanded "Comma Spaceman" follows and stands as the band's most fully realized track to date.  For the first three minutes the keyboards soothe, the rhythm section stretches out and breathes, and lovely vocal melody floats to the forefront.  However, at the 3:00 mark, the band eschews their prog-rock leanings and launch into a full-fledged, thirty second My Morning Jacket-esque guitar solo before returning the songs to its roots.  Of course, they break it down & build it up one more time just for good measure because hell, "definitive version" should mean "definitive version."



Penultimate track "Brotherman" is the hyperactive brother of the multi-part monster that was "Comma Spaceman," still packed with ideas, but delivered in rapid succession.  Straya almost seems to be testing their own limits by seeing how many ideas they can pull off in 4:00.  Turns out: quite a few.

After the speed workout of "Brotherman," all of the pieces of Healthy Steps are assembled on "You Can't Put Me On The Spot Like That, Man."  As much as I've compared the band to Rush so far, this is the point where the comparison becomes clear and valid.  The speed of "Brotherman" is gone.  The well-known & well-rehearsed pieces of "Comma Spaceman" are also gone.  What we have with "YCPMOTSLTM" is a brand new mission statement from Straya.  Combining their prog-rock cues with a Zeppelin-esque flair for the dramatic, it's an epic album closer that seems to double as the opening salvo for where the band hopes to head next.

Healthy Steps is an expansive, rewarding listen, but if the band makes one thing clear with this album it's that the decks are now clear.  All of those older songs have been set in stone while the new tracks seem to be just scratching the surface of what the band is capable of.  Whether Healthy Steps ends up being the beginning of a long-proggy journey or and as an end point for a band pushing as many ideas as possible onto one record, it's bound to stand as one of the most unique albums to come out of Minnesota this year.

If you'd like to check out Healthy Steps for yourself, head over the Straya's Bandcamp page to download the album or order one of the limited-to-100 CD's that I'm assuming are still available since they're still on the Bandcamp page.

Sunday, January 25, 2015

Flatbasset Radio: Episode #53 (Best Of 2014 - Radio K Song Of The Day)


It's happiness or bust...


Well hello again, podcast fans!  Welcome to Flatbasset Radio: Episode #53!

I'm a little late with this post, but it's still January, so it's still countdown season.

As you can probably tell from the title, I'm spending this week's show much like I spent last week's show: counting down free songs.  This time around I'm counting down the Top 10 songs given away by Radio K via their Song Of The Day podcast.

Along the way I discuss the differences between The Current's SOTD podcast & Radio K's, how to pronounce the word "Atlanta," how nostalgia can affect the way new music sounds, admit every 90's kid's lifetime devotion to The Rentals, mispronounce the word "Marcus" as "Allan" (sorry, Marcus), celebrate several of the best band's in the Twin Cities, and wrap it all up with a Flatbasset Flatclassic that doubles as my favorite local song of 2014!

As always, this episode is available to download or stream.  Just click the episode title below for a download link or click on the Mixcloud player below to stream.

Flatbasset Radio: Episode #53 (Best Of 2014 - Radio K Song Of The Day)




10. GOLD-BEARS - Yeah, Tonight
09. Armand Margjeka - Hummingbird
08. Floating Action - No Surprise There
07. Museum Mouth - Strange
06. Fishing - Chi Glow (w/Marcus Whale)
05. The Rentals - 1000 Seasons
04. Hollow Boys - Melted
03. Astronomique - Pretend We're Stars
02. Half Japanese - In Its Pull
01. Some Pulp - Oh Oh (Who's Cryin' Now)

Enjoy!




For more of my rantings you can give me a follow on Twitter (@TCDroogsma).  Previous episodes of Flatbasset Radio are archived on his Mixcloud page.  Stop by Flatbasset Radio's Facebook Page & give it a "Like" if you have the time.

Wednesday, February 19, 2014

Sounds Of Sota #3: "You Are So Loud That I Want To Die" by Human Kindness


(THIS POST ORIGINALLY APPEARS ON THE TWIN CITIES BLOG NEWEST INDUSTRY)

Hardly getting through to you...


Hello again, music fans! Welcome to Sounds Of Sota #3!

For those who are unfamiliar with Sounds Of Sota, it's a running column in which we ask one of our contributors to review new albums & EP's from Minnesota artists. In sticking with our desire to rank and rate everything the albums are given a score of 1-10 at the end of the column.

This time around we asked TCDroogsma to give us his thoughts on "You Are So Loud That I Want To Die," the debut EP from Human Kindness.

TCDroogsma, thoughts?



It was just over a month ago that Human Kindness came roaring out of the U Of M camps and onto the Twin Cities music map with their album You Are So Loud That I Want To Die.  It's an album filled with energy, yelled out hooks, and the sort of calamitous guitar rock that makes you wonder if they didn't steal their album name from a note left under their door.

The album eases to life on the swirling guitars of lead single "Krishnaagain."  It's a fine song, I suppose, filled with a chorus that punches and energy to burn. Given its accessibility, makes sense as a lead single.  What it doesn't do, however, is give an accurate picture of just what Human Kindness is (or seemingly aims to be).  It treads the same familiar post-hardcore/math rock terrain that hundreds of bands have already worn thin.  More than a stand alone single, "Krishnaagain" marks a departure point, an acknowledgement of the influences & ideas that formed the base of the band's sound.


You Are So Loud I Want To Die genuinely takes off with the second & third songs on the album, companion tracks "Breathing Deep (for Walking)" and "Breathing Deep (for Breathing)."  Combined, the two tracks make for nearly seven & a half minutes of fuzzy, wirey, mostly-instrumental grooves.  It's obviously a ballsy move to devote that much time so early into an EP to instrumentals, but it's a move that pays of in spades.

Where "Krishnaagain" showed where the band is coming from, the two "Breathing Deep" tracks illustrate where it hopes to go.  Sure, there are still cues taken from D.C. hardcore (note the shuffling drums & funky bass work), there are also hints of something grander.  They aim for lofty heights with these instrumentals, building up, breaking down, and rebuilding as though taking cues from both Fugazi & The E Street Band.

"When I see you call, it's like church bells ringing, and I can't help thinking of the highs from which I could fall..."



That's how we're greeted on album centerpiece "Prescription Drugs."  Ask yourself, does that sound more like Guy Picciotto or Bruce Springsteen?  It's tough to say, and that's what makes it so great.  "Prescription Drugs" is the moment on the album when this collision of hardcore aesthetics & arena ideas mesh perfectly.  While the lyrics may be lovelorn, the dueling guitar work express the buzzing head & exploding heart of a man who ends a verse asking plaintively, "I'm falling for you, do you want to see my bedroom?"  It's the rare song that keeps its upward trajectory pushing through the duration of its three and a half minutes, closing the first half of the album with a bang.

After a 1:10 breather known as "Katherine Drone" (which, despite the fact that I have no idea who Katherine is, is still a perfect title for the interlude), the album's second half kicks off with the almost-ballad "Donnellan, Sam's Tape."  Lyrically, it's the disappointed ex-lover to the anxious young man of "Prescription Drugs."

"I don't believe that dreams hold any higher meaning..."

These are the first words we hear, and the rest of the song proceeds to follow through on that thought.  The furious, excitable energy of "Prescription Drugs" is nowhere to be found as "Donnellan, Sam's Tape" drifts along with the pace of a man wondering what went wrong.  Taken as a whole, the three song run of "Prescription," "Katherine", & Donnellan" tell the story of a whirlwind relationship envisioned, consummated, abandoned, and dissected.

After the one-minute-plus dual vocal freakout that is "Limited Jest," Human Kindness takes one last big swing with album closer "Giant People."



As a group that seems to have been raised on The Hold Steady & Titus Andronicus, the band knows the importance of ending an album on something epic.  I mean, the song opens with our protagonist talking to God!  It's hard to get more epic than that, though the band tries admirably more than five minutes.  From the 2:35 mark on they focus their collective power on building up a web of guitars and mini-climaxes.  At 4:00 mark they let the whole thing collapse, only to come roaring back with the most straight ahead, Nils Lofgren-esque guitar solo of the entire album.

There's a lot of potential on this album that's realized only intermittently.  Whether that's a product of time, equipment, desire, etc... I don't know, but the songs on this album show a band who hasn't yet caught up to their own ambitions.  Will they get there?  Let me put break it down like this:

There's a scene in the first episode of The Sopranos that any fan of the show will instantly recognize.  In that first episode Tony has a family of ducks living in his backyard pool.  Tony's become mildly obsessed with the ducks, feeding them everyday, taking care of them, etc... At one point in the episode the ducklings attempt to fly and Tony gets very excited, yelling for his family to come watch the birds struggle to lift out of the pool.  Later in the episode, when the birds actually manage to fly away from the pool, the moment is bittersweet for Tony.

I bring this up because, admittedly, I don't know much about the guys in Human Kindness or their story as a band.  They seem to be a band that takes pride in the fact that they've gone from idea to album in a relatively short amount of time (they formed in 2012).  As such, I have no idea if You Are So Loud That I Want To Die is the first step of a band finding their sound or if it's just four college guys having a good time, leaving their album destined to end up in the "Lost Classics" section of Twin Cities music.  My point is that, whether or not Human Kindness ever make good on their desire to fly, You Are So Loud That I Want To Die is their "ducks struggling to fly for the first time."  It's exhilarating to watch, but be sure to enjoy it, because once they learn to fly, they'll belong to everybody.

Final Score: 8/10

There you have it, folks!  High marks for "You Are So Loud That I Want To Die," the debut EP from Human Kindness.  The album remains available as a "Name Your Price" download on their Bandcamp page.




For more TCDroogsma be sure to give him a follow on Twitter (@TCDroogsma).  He can also be found right here on Newest Industry hosting our free weekly podcast Flatbasset Radio.






For more Newest Industry be sure to give us a follow on Twitter (@NewestIndustry1) to stay up on the work being done by all of our contributors.  More importantly, we have a Facebook page here.  Trivial as it seems, stopping by and giving us a "Like" is a free & legitimate way to support the blog.

Tuesday, December 3, 2013

Album Of The Week: December 2-8, 2013


My Album Of The Week for the week of December 2nd-December 8th, 2013:


The Persian Leaps - Praise Elephants

The Persian Leaps were brought to my attention by, well, The Persian Leaps.

My friends and I have been working on our Twin Cities blog Newest Industry (and it's predecessor All Tensed Up) for over two years to complete indifference from the public.  Then, a couple of months ago, one of the members of The Persian Leaps contacted me and asked if I'd give Praise Elephants a listen.  Being one of the international leaders in the field of procrastination, I had a responsibility, nay, an obligation, to do absolutely nothing about this request.

Now, the key to maintaining a reputation as an expert procrastinator is to get around to everything eventually.  This week that means making Praise Elephants my album of the week.

Honestly, the timing worked out brilliantly.  For the last couple of months I've been listening to a lot of shoegaze/fuzzed out rock n roll music.  Putting on Praise Elephants was like switching from AM to FM radio.  Where most of the bands I've been listening to lately list atmospherics over melody, The Persian Leaps go the opposite way.  At their core, the songs of Praise Elephants are good, old-fashioned power-pop.  Listening through the EP a couple of times they have 90's-esque sound that aims for the sweet spot of my nostalgia-tinged mind.  In face the first band that came to mind was the Gin Blossoms.  If you know me, you know that is a sincere compliment.


If you'd like to give it a listen for yourself it's available as a "Name Your Price" download over at The Persian Leaps Bandcamp page.  The band is also playing a show at Cause on December 19th with End Quotes & Brilliant Beast.  You can read more about that on their website here.