Friday, February 20, 2015

Album Of The Week: "Farther Fewer" by Hotelecaster


Flatbasset Radio's Album Of The Week for the week of February 16th-22nd:


Hotelecaster - Farther Fewer

01. Distaster
02. Caravan
03. Walk Away
04. Farther Fewer
05. There Was A Fight Last Night
06. I Will Wait

St. Paul's been on a winning streak over the past few years.  Whether it's up-and-coming indie bands like Panther Ray and The Person & The People, power-pop legends-in-the-making The Persian Leaps, or the sustained excellence of Martin Devaney's country-tinged albums, St. Paul has become the go-to side of the river for thoughtful, catchy rock n roll music.  Even though principle songwriters Kevin Scott & Charlie Ward formed Hotelecaster in Minneapolis, they've known each other since growing up in St. Paul. Given that track record, my expectations for Farther Fewer were high.

For the most part, Farther Fewer lives up to those standards.  The songs here are catchy, smart, and mostly fall in line with what you would expect from a group consisting of established musicians.  Scott & Ward have been playing in various groups around the Twin Cities for years and, though I'd have to see the liner notes to know who wrote which songs here, it certainly seems like their are dueling ideas at work here.

Opener "Distaster" is a slow-burning track that never ebbs & flows, but never really climaxes.  Follow up "Caravan" wouldn't have been out of place on Utopia Parkway (though I may be a bit biased here as A) I love Fountains Of Wayne & anything that reminds me of Fountains Of Wayne and B) my first car was a 1989 Caravan).  It's a gem of a song that captures the big goals of youth & the anti-climax of sort of achieving those goals.  "Walk Away" combines the first two tracks, keeping the tempo & the hooks of "Caravan," but heading back to the vague lyrics of "Distaster."



The real highlight of the EP is the title track.  For a record written by two guitarists, it's mildly surprising that they wait until half way through the record to really let the guitars speak, but that patience pays off when "Farther Fewer" really lets go.  The song seemingly hangs by the threads of negative space & Kevin Scott's falsetto until the big guns are called in during the chorus.  "Your waning moon is my north star, the lights up ahead getting farther, fewer..." Scott laments as those guitars come crashing in.  It's an impressively epic moment that doubles as the EP's peak.



The band returns to their poppier side (with a healthy dash of Craig Finn-ish-ness) on "There Was A Fight Last Night" before delving deep into those guitars on epic closer "I Will Wait."

Farther Fewer definitely stands as an intriguing debut for Hotelecaster.  It's certainly the work of a band still working out their sound, attempting to find the balance between instant gratification hooks & more complicated (though potentially more rewarding) wide-screen ideas.  Give those two songs I posted above a listen for an example of just what I mean.

For a band consisting of members of other bands, I have no idea if Hotelecaster is going to be a long-term concern or if Farther Fewer was a one-off to try out some ideas, but they've definitely planted the seeds of something larger here.  I highly suggest you head over to their Bandcamp page and pick up a copy of Farther Fewer.  Wherever this band is going, it'll definitely be more rewarding if you get in on the ground floor.

Tuesday, February 10, 2015

Flatbasset Radio: Episode #55 (w/MinneSarah)


The catcher in the rye caught a catch-22...



Well hello again, podcast fans!  Welcome to Flatbasset Radio: Episode #55!

As you may have gathered from the title of this post, MinneSarah's back!  That's right!  No more listening to me rabble on and on about who knows what.  This time around there are two of us to rabble on about who knows what.  Good times!

In this week's episode (sponsored by ALDI) we discuss sneaky Germany, St. Paul bus routes, the changing Vancouver music scene, making fun of Rod Stewart, a SUNY inferiority complex, the ease of assembling a band in England, whether or not Thom Yorke still has "it," the twentieth anniversary of one of MinneSarah's more formative albums, the truth behind the term "rhubarb rhubarb," the fashion of Brighton's brightest rappers, and relating to artists as you get older.  All that plus the Cover Of The Week and Flatbasset Flatclassic!

As always, this episode is available to stream or download for free.  Click on the album title below to download the show. Just click on the Mixcloud player below to stream.

Flatbasset Radio: Episode #55 



01. The Pack A.D. - Cellophane
02. Diet Cig - Harvard
03. Revolting Cocks - Do Ya Think I'm Sexy?
04. The Twilight Sad - There's A Girl In The Corner
05. Thom Yorke - You Wouldn't Like Me When I'm Angry
06. Metronomy - A Thing For Me
07. The Voyeurs - England Sings Rhubarb Rhubarb
08. Rizzle Kicks - Demolition Man
09. Local H - Mayonnaise And Malaise
10. Paul Westerberg - Once Around The Weekend (Alternate Mix)




For more TCDroogsma be sure to give him a follow on Twitter (@TCDroogsma).  Previous episodes of Flatbasset Radio are archived on his Mixcloud page.  Stop by Flatbasset Radio's Facebook Page & give it a "Like" if you have the time.



 




For more MinneSarah be sure to give her a follow on Twitter (@MinneSarah).

Monday, February 9, 2015

Album Of The Week: "Young Sunset" by Rupert Angeleyes


Flatbasset Radio's Album Of The Week for the week of February 2nd-8th, 2014:


Rupert Angeleyes - Young Sunset

01. Jealousy
02. Delicate Guy
03. Out Of My Control
04. I Think I'll Have Another
05. I Don't Believe In Love
06. When I Fell In Love
07. Painters Mixing Paint
08. Crying For Who I Could Be
09. I Believe In Love
10. The King Of Dentistry

Rupert Angeleyes, better known (though not for long) as the work of Sleeping In The Aviary's Kyle Sobczak, has been garnering a lot of press lately with this release.  After spending a week with Young Sunset two things became very clear.  First, the album deserves every bit of praise it's receiving.  And two, Kyle Sobczak's got problems.

What's the root of these problems, you may be asking?  Well, considering this is an album of pop music, you probably know the answer:  Women.

Sobczak's issues, real or fictional, are the backbone of this album.  He's gripped with jealousy when seeing his we're-still-friends ex at the bar, jealousy of his friend's girlfriend, defensive of his manhood, annoyed by a significant other's complacency, driven to drinking by domestic squabbles, and, oddly, remorseful at his lack of a dental career.  He really runs the gambit.  It's appropriate that "I Believe In Love," a song whose title implies a continued hope, is the lone instrumental on the album.

Don't let that last paragraph fool you though.  Young Sunset is hardly a downer.  On the contrary, Sobczak & company keep the proceedings jaunty & interesting all the way through.  This thing is littered with hooks, the production is sparkling, and the performance top notch.  Imagine pushing "play" on a Frankie Teardrop album & a Jens Lekman album at the same time and you'll start to understand what Ruper Angeleyes is all about.

Or just wait another month or two because Rupert Angeleyes is going to be inescapable soon.  A couple of years ago Sobczak told City Pages that he wanted his next album to be his masterpiece.  I don't know if Young Sunset quite gets there, but that's really for Sobczak to decide.  The rest of us can just kick back and enjoy.

If you'd like to check the album out for yourself it's out now on the unstoppable Forged Artifacts label and available on Rupert Angeleyes' Bandcamp page as a "Name Your Price" download.



Thursday, February 5, 2015

Flatbasset Radio's 50 Most Played Albums: January '15


Hello again, everybody.  February is upon us and, if you haven't noticed, it's fucking frigid outside.  I blame that goddamn Punxsutawney Phil.  Can't be too mad, though.  Clearly that shadow-seeing rodent knows his shit.

Anyway, like I always do at the start of the month, it's time to take a look back at the 50 Most Played Albums around Planet New Basset.

As always, you can keep up with what's being played here in real time by checking out my Last.fm page, though honestly, I have no idea why you would want to do that.  Frankly, I'm not even sure why you're still reading this.  Whatever. It's your life.

As always, larger pictures indicate more plays:



01. Mike The Martyr - Marbury (80 plays)

02. Rupert AngelEyes - Young Sunset (70 plays)

03. Rogue Valley - False Floors (66 plays)

04. Cruel Love - Cruel Love (64 plays)

05. Steel Tipped Dove - Centuries Long Sigh (38 plays)

06. Oasis - The Masterplan (28 plays)

07. Billy Joel - 52nd Street (27 plays)

08. Fastball - All The Pain Money Can Buy (26 plays)

09. Pulp - We Love Life (25 plays)

10. Jimmy Eat World - Futures (22 plays)

11. Lightning Seeds - Dizzy Heights (22 plays)

12. Kanye West - Late Registration (21 plays)

13. Earl Boykins - Everybody Likes Dogs (20 plays)

14. LCD Soundsystem - Sounds Of Silver (19 plays)

15. The Person & The People - Live On Radio K (2014) (19 plays)

16. Jack DeJohnette - Sorcery (17 plays)

17. Lil' Wayne - Sorry For The Wait 2 (17 plays)

18. The Smiths - Hatful Of Hollow (16 plays)

19. Jazz Spastiks - Singles Collection (15 plays)

20. Stereolab - Cobra And Phases Group Play Voltage In The Milky Night (15 plays)

21. Atmosphere - Southsiders (15 plays)

22. The Streets - Original Pirate Material (14 plays)

23. Blur - Blur (14 plays)

24. The Beatles - A Hard Day's Night (13 plays)

25. Face To Face - Don't Turn Away (13 plays)

26. The Verve - Urban Hymns (13 plays)

27. Stars - Set Yourself On Fire (13 plays)

28. Gorillaz - Demon Days (13 plays)

29. Blink-182 - Blink-182 (13 plays)

30. Astronautalis - The Mighty Ocean And Nine Dark Theaters (13 plays)

31. The Plastiques - 101 (13 plays)

32. Museum Mouth - Sexy But Not Happy (13 plays)

33. Dosh - The Lost Take (12 plays)

34. Piebald - We Are The Only Friends We Have (12 plays)

35. Morrissey - Viva Hate (12 plays)

36. Armchair Martian - Who Wants To Play Bass? (12 plays)

37. Danger Mouse - The Grey Album (12 plays)

38. Husker Du - Flip Your Wig (12 plays)

39. Dosh - Daytrotter Session (12 plays)

40. Alpha Consumer - Gary Victorsen's (12 plays)

41. Kougar - Cold Room (12 plays)

42. Jets To Brazil - Orange Rhyming Dictionary (11 plays)

43. Dusty Springfield - Dusty In Memphis (11 plays)

44. Spoon - Gimme Fiction (11 plays)

45. Taking Back Sunday - Where You Want To Be (11 plays)

46. The Replacements - Don't Tell A Soul (11 plays)

47. The Hold Steady - Stay Positive (11 plays)

48. Edison - No Sun No Food (11 plays)

49. Stone Temple Pilots - Purple (11  plays)

50. The Prodigy - The Fat Of The Land (10 plays)

Photo via Don't Drink And Root

Sunday, February 1, 2015

Flatbasset Radio: Episode #54 (Best Of 2014 - Minnesota Music)


Look what I do for my city...


Well hello again, everybody.  Welcome to Flatbasset Radio: Episode #54!

This is it, everybody.  After counting down the best of The Current's Song Of The Day in Episode #52 & the best of Radio K's Song Of The Day in episode #53 it's time to call 2014 a wrap by looking back at some of the best local music of the year.

While I find it hard to believe that anybody is still sleeping on the sounds coming out of the Twin Cities, I suppose it could happen.  So, in case you weren't paying attention, 2014 was yet another outstanding year for local music.  Honestly, I had to trim songs to keep this episode at an hour despite the fact that, off the top of my head, I can think of at least five local albums I didn't even get a chance to listen to last year.  We're in a golden age here, people.  Don't take it for granted.

Speaking of not taking things for granted, in order to fit as much music on this one as I could I decided to step away from the microphone this time.  That's right, Episode #54 is one solid hour of commentary-free jams!  Enjoy it, everybody, because my shitty voice and even shittier microphone will be back before you know it, mispronouncing band names and popping "p's" to our heart's content.

For now, though, a celebration bitches!

As always, this episode is available to stream or download for free.  Click on the album title below to download the show. Just click on the Mixcloud player below to stream.

Flatbasset Radio: Episode #54 (Best Of 2014 - Minnesota Music)



Now, just because I didn't record any commentary doesn't mean I don't have things to say about these songs.  Let's break this one down:


01. Some Pulp - Undone '93 (The Tubetop Song) (from Some Pulp)

That's right, Episode #54 picks up right where Episode #53 left off.  I played Some Pulp's "Oh Oh (Who's Cryin' Now)" as last week's Flatbasset Flatclassic of the week.  That song is the second song on Some Pulp.  "Undone '93" is the first.  Like I mentioned in my AOTW post, the first three songs of the album are pretty much my favorite 8 minutes of music of 2014.


02. Manny Phesto - Cedar Ave (from Southside Looking In)

2014 was a breakout year for Manny Phesto.  On the strength of his Southside Looking In album he finally seems to be breaking through to a wider audience than just the hip-hop heads of the Twin Cities.  The entire album melds Mike The Martyr's soulful beats with Manny Phesto's mostly-positive raps.  The album seems meant to remind people that, "Hey, things aren't great, but they could always be worse and we can always make them better."


03. The Persian Leaps - Permission (from Drive Drive Delay)

Speaking of artists who had breakout 2014's, here's The Persian Leaps.  Lord knows I've said plenty about these St. Paul power-poppers over the last couple of years, but they're so good that they earn every word.  Drive Drive Delay was self-released on lead singer Drew Forsberg's Land Ski Records label (more on them down below) and found the band writing more rewarding songs while skimming a layer of gloss from their debut EP Praise Elephants.  Those two things combined to make Drive Drive Delay one of the most re-playable EP's of 2014.  And  yes, re-playable is a word.


04. Franz Diego - Neo-Archaic (from Equinox)

Twin Cities' veteran Franz Diego had himself a fine 2014.  In addition to the Equinox EP he also released (as a "Name Your Price" download) an LP titled Float.  Throw in his continued reputation as a man-on-the-scene in MPLS and the continued success of his Turnt Up! dance night at Honey and it seems like Diego is really making the most of his niche in Minneapolis.  "Neo-Archaic" is the lead song from the entirely Xanja-produced Equinox and it provides a nice snapshot of what Franz Diego's all about.


05. Hollow Boys - Why Don't They Let Us Fall In Love? (from Into The Night)

With "Why Don't They Let Us Fall In Love?" (this week's Cover Of The Week) Hollow Boys have set a precedent on Flatbasset Radio.  They are now the first artist to be played on THREE consecutive shows!  Congats, Hollow Boys.  I mentioned in one of my previous posts that 2014 found Hollow Boys stepping their game up and becoming one of the best bands in the Twin Cities.  Into The Night, a four song EP consisting of covers of Twin Peaks songs played a part in that.  This cover of The Ronettes classic is another example of just how good they've become at injecting their own vibe into other people's songs.


06. Sims - This Is The Place (w/Astronautalis) (from Field Notes)

While it's been several years since Sims has released a proper full-length album (2011's classic Bad Time Zoo), Sims has only seen his profile grow.  He took a real star turn on Doomtree's No Kings LP and, though I haven't heard it yet, I'm sure he only solidifies his position on the new All HandsField Notes is not a stop-gap release in the traditional sense.  Yes, it's only an EP, but it finds Sims shedding what was left of his emotional baggage and turning his camera outward, commenting on both the rap scene and society at large.  "This Is The Place" was the collaboration that spawned two sold out shows at The Mainroom featuring Sims & Astronautalis as co-headliners.


07. Frankie Teardrop - 100% (from Raiders)

The next three songs are played right in the heart of this podcast for a reason.  Jordan Bleau & Alexander Uhrich are the co-founders of No Problem Records and, perhaps more than anybody else on this show, they had a hell of a year.

Their year opened up in earnest with the release of Frankie Teardrop's outstanding Raiders EP.  After making his mark with Tough Guy EP, Jordan & company took things to a whole new level with Raiders.  The songs here are more polished, more concise, catchier, and more personal than ever before while still maintaining an edge-of-your-seat attitude that has made Frankie Teardrop one of the leaders of the next generation of great Twin Cities rock bands.


08. Dee Dee Mayo - Waking Up On The Beach/Jungle Party (from Dee Dee Mayo Sweats It Out)

No Problem Records continued their winning ways with Dee Dee Mayo Sweats It Out.  Dee Dee Mayo (aka Howler bassist Ian Nygaard) crafts a truly bizarre, mostly instrumental album that caused me to liken its sound to a beach party on the moon. "Waking Up On The Beach/Jungle Party" is the undeniable centerpiece of the record, a six minute spaced out guitar jam that eases into the frame and hypnotizes for six minutes.


09. Suzie - Coffin In Houston (from Born Single)

Continuing to prove that No Problem Records is going to be home to more than just punk rock, here we have Suzie's Born Single.  Much like Dee Dee Mayo was the spaced-out side-project of a successful local musician, Suzie follows the same formula (the brain child of Night Moves' Mark Ritsema) except instead of a jungle on the moon Born Single sounds like it would soundtrack a sweaty dance club on the dark side of the moon.  It's no surprise that, after a couple local headlining shows, Suzie seems set to conquer the Twin Cities.  And a big chunk of that is due to the fact that the boys at No Problem Records have created a label that allows artists to embrace their stranger side without concerns of popularity or profitability.  I couldn't be more excited to see where all three of these artists go from here.


10. Medium Zach - More Than Superman (w/Slug) (from Valued Input)

If you've been paying attention for the last decade I shouldn't have to sing you the praises of Medium Zach.  you should be two-steps ahead of that.  If you haven't been paying attention, figure it out.  Whether he's existing as half of Big Quarters (with his brother Brandon Allday), remixing tracks, or, in this case, gathering some of his friends and producing an EP, Zach's work should never be ignored.  His beats are meticulous, patient and purposeful, a perfect reflection of a man who is one of the kindest, smartest artists in the Twin Cities.




11. Howler - Here's The Itch That Creeps Through My Skull (from World Of Joy)

It seems like World Of Joy didn't receive the same type of adoration as Howler's debut America Give Up, and that's a shame.  While it's somewhat understandable considering that most of the album seems like a more raw, more angry version of that album, moments like "Here's The Itch That Creeps Through My Skull" stand as evidence that once Howler sheds their skin the future is wide open.  I don't know if he's like the comparison or not, but in a city that's always looking for the next Paul Westerberg (or, up until this year's reunion, the first Paul Westerberg) Jordan Gatesmith has the best chance of anybody in recent memory.  All the way down to the cover art World Of Joy was Howler's Hootenanny.  We all know where The Mats went next.  Hopefully Howler's ready to take that next step.


12. MaLLy - City Of Fear (w/Rapper Hooks) (from The Colors Of Black)

The Colors Of Black was a surprising turn for MaLLy.  Following the success of The Last Great..., TCOB found the man using his new found popularity as a pulpit rather than a podium.  MaLLy spends most of this album angry at the world around him which, given the racially-tinged events of 2014, is completely warranted.  TCOB stands as a fascinating look at a man who works hard to scale the mountain only to find that being on top only gives him a better view of ugliness below.


13. Human Kindness - Giant People (from You Are So Loud That I Want To Die)

I've written hundreds of words about Human Kindness on this blog and I promise this is the last time I'll write about them until they release some new music (which should be soon.  I see those scrobbles, guys.  I know it's out there.)

"Giant People" is the closing track on YASLTIWTD and, where the album spent time rising and falling, "Giant People" finally gives the big payoff.  Just listen to the last 90 seconds of this one!  Lord only knows what these guys have planned for the next record, but they ended their first one on a high note.


14. Allan Kingdom - Observe (from Future Memoirs)

By the end of the year Future Memoirs had become overshadowed by Allan Kingdom's work as a member of TheStand4rd, and that's kind of a shame.  While the 12 year age difference between Kingdom and myself means that I sometimes can't keep up with what he's on about, tracks like "Observe" hit any demographic.  Kingdom's flow is certainly an acquired taste, but, as you can hear on this one, he's got a firm grasp on just what he's trying to accomplish.


15. The Person & The People - Run (from What A Drag)

Remember earlier when I said we were going to talk about Land Ski Records again?  Well, here we are.

Much like their labelmates The Persian Leaps, The Person & The People represent everything that's great about Twin Cities power-pop right now.  If, like me, you're the kind of guy who sits around waiting for new Sloan and Superdrag albums, do yourself a favor and get on board with The Person & The People.

(Quick aside: I had a very, very minor role in helping Land Ski Records and The Person & The People come together (as mentioned here).  Thanks, guys.  Good to know this blog hasn't proven to be completely useless over the years).

There you have it, Minnesota music fans!  Enjoy!




For more of my rantings you can give me a follow on Twitter (@TCDroogsma).  Previous episodes of Flatbasset Radio are archived on his Mixcloud page.  Stop by Flatbasset Radio's Facebook Page & give it a "Like" if you have the time.