Showing posts with label night moves. Show all posts
Showing posts with label night moves. Show all posts
Wednesday, March 16, 2016
Flatbasset Radio: Episode #75
The only salvation for us tonight is to turn on the radio...
Well hello again, podcast fans! Welcome to Flatbasset Radio: Episode #75!
Folks, no joke, I was not in a great spot when I recorded this week's show. I'm a little under the weather, my body aches, the light's burned out here at Planet New Basset, and I was late for work today. It's been rough.
However, part of the reason I do the show is, selfishly, to lift my own spirits and this one doesn't disappoint in that regard. What it may lack in quality banter it more than makes up for in absolute cold-blooded jams. I've got plenty of new local music on this one, a celebration of Beatles producer George Martin, some dusty-sample throwbacks, a couple of anniversaries, hell, I even manage to avoid launching into my entire Gin Blossoms defense (condensed version: the Gin Blossoms were great) Killer stuff all around. All that plus the Cover Of The Week & the Flatbasset Flatclassic!
As always, Flatbasset Radio is completely free. I've finally set up a decent downloading site, so if you'd like to download Flatbasset Radio: Episode #75 (with all the appropriate iTunes tagging), just click here.
If you don't have the time or desire to download the show, just click the Mixcloud player below and you're good to go.
Here's how this week's show plays out:
01. Night Moves - Carl Sagan
02. DJ Shadow - Stem (Cops 'N Robbers Mix)
03. Majical Cloudz - Bugs Don't Buzz
04. Pale Spectre - Nothing Yet
05. The Beatles - I'm Only Sleeping
06. The Beatles - Strawberry Fields Forever
07. The Beatles - Yesterday
08. Tony Peachka - Party Song
09. Medium Zach - The Art Of The Flip Pt. 1
10. Down By Law - Radio Ragga
11. Cat Power - Lived In Bars
12. Gin Blossoms - Follow You Down
There you have it, folks. Thanks for listening!
For more TCDroogsma be sure to give him a follow on Twitter (@TCDroogsma). Previous episodes of Flatbasset Radio are archived on his Mixcloud page. Stop by Flatbasset Radio's Facebook Page & give it a "Like" if you have the time.
Wednesday, September 24, 2014
Flatbasset Radio Album Of The Week: "Born Single" by Suzie
Flatbasset Radio's Album Of The Week for the week of September 22nd-28th, 2014:
Suzie - Born Single
01. Possession
02. Coffin In Houston
03. You Ain't Mine
04. I Am Going To Change
05. Fantasy
06. Under The Sea
07. Outro
08. The Feeling
09. Levy
No Problem Records with the hat trick!
Born Single is the third album to be released by Frankie Teardrop's No Problem Records. The first was Teardrop's own Raiders EP, which stands as their best work to date. That was followed by Dee Dee Mayo Sweats It Out, a spaced-out jungle party record from Howler guitarist Ian Nygaard. And here we have Born Single, the debut album from Mark Ritsema of Night Moves. Born Single follows Dee Dee Mayo's lead in establishing No Problem Records as a pace where musicians can let there hair down and hang their freak flag high.
Though the records sound little alike, Dee Dee Mayo Sweats It Out and Born Single are companion albums in a way. Like Nygaard & his Sweats It Out album, Suzie finds Ritsema taking a break from his very successful day job in Night Moves to craft a record that cares far more about grooves than hooks and lyrics. Technically only one song on Born Single is an instrumental. Regardless, I spent a week with the album and can't think of one lyric off the top of my head. In fact, with the exception of the album's final two tracks, lyrics are an afterthought. Where Dee Dee Mayo used vocals as an instrument to illustrate community via group singalongs, Ritsema uses his as yet another instrument in service of the groove.
In my write-up of Dee Dee Mayo Sweats It Out I wrote, "Imagine being on a beach with all your friends on a warm summer night. Then imagine somebody has this tape "you have to hear, man!" Now, imagine this friend puts the tape in the boombox. As the tape warbles to life, you take a fistful of hallucinogenics. Picture all of that, but now imagine that beach is on the moon." Well, Suzie seems to exist on that same spaced-out plane. The difference is that instead of being in a moon jungle taking hallucinogens & bonding, these songs exist in a dark, sweaty club, taking uppers & grinding the night away.
And yes, that club is also on the moon.
The good folks over at No Problem Records have released Born Single as a "Name Your Price" download. If you're looking for something sexy to put on in an effort to get that certain someone out of all those oppressive layers of fashionable autumn attire, I highly suggest you swing over & pick it up.
Labels:
born single,
carroll,
mark ritsema,
Minneapolis,
Minnesota,
night moves,
no problem records,
St. Paul,
suzie,
Twin Cities
Tuesday, October 16, 2012
Songs Of The Week #10: MinneSarah & TCDroogsma
(NOTE: I CONTRIBUTED MY HALF OF THIS BLOG TO NEWEST INDUSTRY, WHERE IT WAS ORIGINALLY POSTED. PLEASE, STOP BY NEWEST INDUSTRY IF YOU HAVE A CHANCE. ALL TWIN CITIES EVERYTHING.)
White Arrows, Night Moves, Freelance Whales, Taken By Trees, & Bora York...
White Arrows, Night Moves, Freelance Whales, Taken By Trees, & Bora York...
Hello again, MP3 junkies, and
welcome to Songs Of The Week #10!
If you're unfamiliar with what we're
doing here, each week we ask two of our contributors to download The
Current Song Of The Day podcast and then give us their thoughts on
the songs. If you feel like playing along at home, follow this link
to download the tracks for yourself. We highly recommend subscribing
to the podcast yourself as it's free music. On occasion, it's very
good music too. Free music + good music = yay!
This week we asked regular
contributors MinneSarah & TCDroogsma to give us their thoughts on
the new singles from White Arrows, Night Moves, Freelance Whales,
Taken By Trees, & Bora York. As always, they have not seen each
other's commentary prior to posting.
Kids, take it away...
White Arrows –
Get Gone (from the album Dry Land Is Not A Myth)
MinneSarah:
Baby talk...it's got to stop! The singer's vocals are so cutesy and exaggerated. It makes sense that the singer is singing about his family kicking him out of the house. Get, get, gone indeed. The rest of the song is pretty pedestrian upbeat song with an awful lot of novelty percussion elements. White Arrows may blow your mind in the advances to the handclap system.
TCDroogsma:
This
songs sounds like Yeasayer forgot to pull out while it was banging
Alt-J in my iPod. At least the kid came out speaking English, but
Christ, it has some Mommy Issues. It has the same type of annoying,
fake singing voice that plagues so many hipster bands these days.
The hooks are solid, but unspectacular. I could definitely see this
track in the middle of a Now! That's What I Call
Forgettable Indie Music albums.
Wait, do those exist or am I just thinking of my Broken Social Scene
albums? Either way, nothing special.
Final Score:
MinneSarah -1.5/5
TCDroogsma - 2/5
Night Moves –
Country Queen (from the album Colored Emotions)
MinneSarah:
This song is the best of the bunch this
week. Who would have thought that psychedelic alt-country
could sound so good? Not this gal, but hey, I can't hate all of
the time. The alt-twang is pretty solid for that genre, and
then they add in psychedelic guitar. It's like
Wilco's best day where they happened to guest star on Dragnet. There
is a weird telephone ringing in the background, but the rest of the
song moves along nicely, with breaks as needed and plenty of
underwater-guitar-Vaseline transitions. The
penultimate tempo change is downright epic. I'd be surprised if many
of their other songs can pull this Frankenstein genre off, but I'd be
willing to listen.
TCDroogsma:
It's
actually really difficult to write any sort of review of Night Moves
without taking into account the massive amount of
local-publication-cocksucking that comes along with this band (though I'm sure it's nice. Word is Vita.MN swallows). At
this point, the story behind the band's name and the album's
re-release threatens to overshadow the songs themselves.
Now, accounting for those factors, Night Moves is one of the
more genuinely exciting bands to come out of MPLS in a minute.
“Country Queens” is certainly an engaging song, though I get the
impression that they're trying to throw all their influences into a
blender. A Belle & Sebastian bit here, a Gram Parsons bit there,
one of The Rapture's keyboard bits to tie the whole thing together...
Still, all those pieces do come together to form an interesting and
engaging single. It definitely rewards repeat listens.
(Quick Note: I saw these guys perform outdoors on Record Store Day in
cold & rainy weather and they nailed this song note-for-note.
That's gotta count for something.)
Final Score:
MinneSarah -3.5/5
TCDroogsma – 3.5/5
Freelance Whales
– Spitting Image (from the album Diluvia)
MinneSarah:
I'm often surprised how bad bands from New York try and sound like they are from the West Coast. This is an instance. I suppose I should just stop being surprised, Freelance Whales are the kind of whales off the coast of Brooklyn, and I just need to step off. While the vocals are fairly enjoyable (girl singing, I know!), the lyrics to this song are horrible, "Our limbs are hinges crashed into the sea." The entirety of the song is characterized by synthy guitars, which apparently can be overkill. The song's chorus involves the woman singing "We all seem to have big plans." The end just sort of tapers out - big plans acknowledged, not fulfilled.
TCDroogsma:
On
first listen I didn't really dig this track. It seemed pretty
forgettable. After a few spins, though, it grew on me. The whole
things has a kind of Diet Arcade Fire feel too it. The lead vocals
and grandiose and the backing vocals definitely lend a, “we're all
in this together” type of vibe to the song. Not entirely
memorable, but not completely disposable either.
Final Score:
MinneSarah -2/5
TCDroogsma - 2/5
Taken By Trees –
Dreams (from the album Other Worlds)
MinneSarah:
The title delivers - this song is very dreamlike. However, it is a dream you wouldn't remember. There background is punctuated by pop up video sounds, which is the best thing it has going for it. Otherwise, the percussion sounds like the hum of train tracks, and the vocals are just about whispered. What a nice lullaby, but unless you have severe insomnia, I wouldn't recommend wasting your time.
TCDroogsma:
Are
you familiar with The Durutti Column? Unless you're over 40 and live
in the greater Manchester area, probably not. They are essentially
just Vini Reilly (of Viva Hate
fame) and a few random other people. They play kind of jazzy, mostly
acoustic guitar instrumental music.
I bring them up because, as someone whose tastes skew toward the
“40 year old, greater Manchester area” demographic, I couldn't
help but fall for this song when the guitar came on. I realize
that's a very specific market, but I really dug this song thanks to
the guitar work. It's so similar that I'm not totally sure it isn't
just an elongated sample of The Durutti Column. Still, if I'm only
judging this based on how much I like, I gotta say that those guitars
turned a below-average song into an above-average one.
Final Score:
MinneSarah -2/5
TCDroogsma – 3.5/5
This song got worse the more times I listened to it. At first I appreciated the eighties adult contemporary background, but when I realized that the movies Beaches, Top Gun, or Big weren't involved, I sort of lost interest. I really like the passionate female chorus as a contrast to the mellow male verse vocals. However. there are several annoying accents in the song. "Cloooooseee youuu-rrr-rrr eee-eee-eeee-yeees" - Girl, you think a syllable's a window pane.
TCDroogsma:
Land Of 10,000 Lakes? More like Land Of 10,000 Synth-Pop Bands!
Am I right, people?
Fortunately, nearly all of the synth-pop bands that saturate the
Twin Cities are above average. This is the kind of song that bands
like Stars would kill to write. (That's right, shots at two different
Canadian bands in one column! Come get me, you inherently-peaceful
Canucks! Come get me!)
Final Score:
MinneSarah -1.5/5
TCDroogsma - 4/5
Boom! There
you have it, everybody. Another week of songs listened to, judged,
and filed away.
As always, please give the songs a listen and vote for your favorite in our poll to the right.
As always, please give the songs a listen and vote for your favorite in our poll to the right.
We'd like to
take a moment to remind everybody that this blog is in no way
affiliated with The Current, Minnesota Public Radio, or the artists.
We're just people with keyboards, ears, and dated cultural
references.
For more of the
ever-charming MinneSarah be sure to give her a follow on Twitter
and/or Instagram (@MinneSarah). If you meet MinneSarah in person be
sure to bring up your cat. Or Brit-Pop. Or how much your cat loves
Brit-Pop. Solid gold icebreaker, right there.
For more of the
seldom-charming TCDroogsma you could give him a follow on Twitter
and/or Instagram (@TCDroogsma). Or you could check out his blog
Flatbasset. He's still counting down Morrissey songs. If you meet
TCDroogsma in person it's probably not a good idea to bring up any
subjects that aren't Morrissey related. He's prone to wild mood
swings. And he's likely been drinking.
Of course this
blog still lives on Twitter (@NewestIndustry1) and you should give us
a follow to stay up to date on new posts. More importantly we also
have a Facebook page. You'd be doing us a real solid if you stopped
by and gave us a 'like.' Be cool, bro. Be cool.
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