Thursday, January 9, 2014

Newest Industry Presents: Flatbasset Radio - Episode #27


(THIS POST ORIGINALLY APPEARS ON THE TWIN CITIES BLOG NEWEST INDUSTRY)

I use a walkie talkie just to get a beverage...


Hello again, free music fans! Welcome to Flatbasset Radio: Episode #27!
 
For those of you who are unaware of the Flatbasset Radio format, here's what you're looking at: TCDroogsma is our resident MP3 junkie. As you've probably noticed in his Songs Of The Week column, he's not always the most positive music fan. In an effort to prove that he is, in fact, a fan of music, we give him an hour each week to play the songs he's digging and talk a little bit about them. Once he's recorded his podcast we put it right here on the website for free to stream and/or download!


In this week's episode TCDroogsma indulges in some warm weather jams, explains why spending winter in rural Wisconsin is a bad idea, recalls the most passive-aggressive concert audience he's ever seen,  ties his Cover Of The Week & its singer together in pathos, thinks Drake deserves more credit for his work outside of music, discusses the best way to stay warm during a polar vortex, wonders just what happened to hearty Minnesotans, indulges in a Scottish set,  lays some blame at Stuart Murdoch's feet,  fails to live up to his obligations as a "31 year old, skinny, bearded white guy," impolores one of indie rock's cult favorites to reform, pays tribute to a musician who passed too young, & loses a sponsor!

You can download the podcast for free by clicking the episode's title or stream the episode by clicking on the Mixcloud player below.

Flatbasset Radio - Episode #27



01. Bon Iver - Flume
02. Stereolab - People Do It All The Time
03. Yeah Yeah Yeahs - Cold Light
04. Drake - Trophies
05. Morrissey - Moon River
06. Belle & Sebastian - The Fox In The Snow
07. Gasp - A Girl Called Glasgow
08. Menahan Street Band - Make The Road By Walking
09. Vampire Weekend (w/Danny Brown, Heems, & Despot) - Step (Remix)
10. Rancid - Brad Logan
11. Knifefight - Feel Me
12. Death From Above 1979 - Black History Month (Josh Homme Remix)
13. School Of Seven Bells - Windstorm


There you have it, music fans!  Enjoy!




For more TCDroogsma be sure to give him a follow on Twitter (@TCDroogsma).  Previous episodes of Flatbasset Radio are archived on his Mixcloud page.  Stop by Flatbasset Radio's Facebook Page & give it a "Like" if you have the time.

For more Newest Industry be sure to give us a follow on Twitter (@NewestIndustry1) to stay up on the work being done by all of our contributors.  More importantly, we have a Facebook page here.  Trivial as it seems, stopping by and giving us a "Like" is a free & legitimate way to support the blog. 

Wednesday, January 8, 2014

Songs Of The Week #74: TCDroogsma & MinneSarah


(THIS POST ORIGINALLY APPEARS ON THE TWIN CITIES BLOG NEWEST INDUSTRY)

Sebastien Grainger, Lord Echo, Milagres, & Buffalo Moon...


Well hello again, MP3 junkies!  Welcome to Songs Of The Week #74!
 

For those of you who are new to the SOTW column, here's the story:  TCDroogsma and MinneSarah are both fans of The Current's Song Of The Day podcast.  They're also both opinionated and have access to computers.  Seeing an opportunity to let them indulge in their MP3 habit and put them to work writing reviews we created the Songs Of The Week column.  Over a year later later and here we are.

As always, we strongly suggest that you follow this link and subscribe to the podcast yourself.  It's free and it's fun for the whole family!

To that end, once you've given each song a spin or two, feel free to cast a vote for your favorite song of the week in the poll to the right side of the page.  The artist who accrues the most votes wins the validation that comes from winning an anonymous internet poll, arguably the loftiest height to which a modern musician can aspire.

As per tradition TCDroogsma and MinneSarah have not read each other's reviews prior to posting

So... Droogsy, Sarah... thoughts?


01. Sebastien Grainger - Waking Up Dead (from the album Yours To Discover)


 
TCDroogsma:

     There's a lot to like about "Waking Up Dead."  Grainger sands off some of DFA 1979's rough edges (specifically the drum sound because, of course he played down the drum sound) and crafts a pop song that plays to his strengths.  He doesn't push his vocal range too far, writing hooks that he can deliver with a bit of belly fire.

     Where "Waking Up Dead" loses me a bit is in its lyrics.  In his DFA days Grainger was, as he put it, a machine.  That Sebastien Grainger would take God knows what and do God knows what with God knows who.  This Sebastien Grainger is apologizing for saying the wrong thing while he was "wasted" and having nightmares about his girlfriend leaving him (which, for the record, he doesn't think she should.  No, no, no, no, no, no, no...).  If Grainger sticks to this trajectory I fully expect him to be headlining the Basilica Block Party in 2018.

MinneSarah:

     My heart was a flutter when I saw that Sebastien Grainger was the Monday track last week.  DFA 1979 is one of my favorite bands of all time, due in part to Grainger's sexy, confident, and forceful vocals.  When DFA 1979 broke up and Grainger signed to Saddle Creek Records in 2008, I knew it wasn't going to have the same grinding guitar and edgy keyboards of his former band.  In fact, Grainger's first solo effort was awkward in comparison, using his unique voice to croon emo tunes.  I've avoided his solo music until this song showed up in my inbox.

     "Waking Up Dead" is bass driven and includes Grainger's vocals in full glory - even featuring some of the exasperated shrieks that made me swoon while listening to DFA 1979.  The lyrics are about drunken couple fighting, which is always relatable.  The only part that left me scratching my head was the guitar arpeggio, though if I played guitar, I'd probably add that in as well.  Though it's not DFA 1979, it's got some of the epic grittiness of Grainger's roots.  I for one am satiated.
 


Final Score - TCDroogsma: 3.5/5
                              MinneSarah: 4.5/5

02. Lord Echo - Digital Haircut (from the album Curiosities)




TCDroogsma:

     I'm a little bit biased toward "Digital Haircut" because it hits my iPod every morning as I'm strolling to work and, let me tell ya, few songs were made for strolling quite like this one.

     Lord Echo certainly isn't breaking any new ground with "Digital Haircut."  In fact, if you had me listen to this song and then told me it was a lost Dust Brother's beat from the Paul's Boutique era, I'd believe you without a second thought.  On the other hand, this song sounds like a lost Dust Brother's beat from the Paul's Boutique era!

MinneSarah:

     If robots had funky afrobeat clubs in the 70's (or on another planet), "Digital Haircut" would be their anthem.  This song is an instrumental, though there is a high pitched sound that fills in for the vocal interest.  If you didn't know the language, you wouldn't be any wiser.  While I love to dance around and anything electronic certainly fits the bill, I don't know that there are many situations that I would want to flip on this song.  Clocking in at under 4 minutes, it doesn't outwear its welcome, but doesn't seem to have a purpose larger than delivering joyful beeps and taps.  

Final Score - TCDroogsma: 3/5
                              MinneSarah: 2.5/5

03. Milagres - The Letterbomb (from the album Violent Light)




TCDroogsma:

     Milagres is a four-piece out of Brooklyn who, at least as far as "The Letterbomb" is concerned, seem to have spent too much time with their David Bowie album collection.

     Now, as I've made perfectly clear over the years, I think spending any time with a David Bowie album collection is spending too much time with a David Bowie record collection.  Milagres don't quite hit their mark with "The Letterbomb."  If anything they sound like they were aiming for "Bowie meets The National" but landed on "Spacehog."  I mean, their were times this week when I couldn't help but chuckle at the amount of drama they were trying to force into this song.  After spending a week with this one I know a lot about what kind of music the guys of Milagres like, but no idea what kind of music they could write if they stepped into their own shoes.

MinneSarah:

     Where did Milagres come from, and why has nobody told me about them?  Throughout the week, this song grew on me immensely.  I have such a strong desire to see them live, I'm considering booking my vacation to SXSW.

     "The Letterbomb" features some of the commercial 80's Bowie gravitas, coupled with larger than life keyboards. I love the mix between light-hearted glam rock "ooohs" and lyrics delivered as deadpan assertions.  The mood of the song shifts between stadium rock to intimate as your living room.  The singer's voice confidently lifts the song through these wide transitions, never sounding out of place.  I've never yearned to see a band live based on a single song, but I'll be putting in the effort with Milagres.


Final Score - TCDroogsma: 2/5
                              MinneSarah: 4.5/5

04. Buffalo Moon - Machista (from the album Machista)




TCDroogsma:

     Remember everything I wrote last week about how difficult it is to review songs that are sung in a different language.  Well, all of that applies here as well.

     Part of the struggle of reviewing a song in which you can't understand the lyrics is that I'm forced to give extra consideration to the canvas of music built up behind the vocals.  In the case of Typsy Panthre last week, that worked out just fine, as the song consisted of lushly crafted indie pop.  "Machista," conversely, is built around Ecuadorian-influenced garage rock.  Basically, they take all the energy and rawness out of American garage rock and replace it with a layer of acoustic guitars and momentum-thwarting bongos.

     Don't get me wrong.  There's a lot to like about "Machista."  It's certainly delivered with passion to spare (with everybody in the band jumping into some group vocals) and, at times, not having any idea what's being said allows you to choose your own adventure with the lyrics.  Still, after spending the week with "Machista," I'm left with no real desire to return to it.

MinneSarah:

     Who knew the Minneapolis scene was so cosmopolitan?  After the Typsy Panthre track last week, I shouldn't be surprised.

     "Machista" is a foot tappingly catchy song, with unwavering female vocals and prominent guitars.  The vocal accents and driving guitars make this song fun and hard to get out of your head.  I'm not entirely up to date on my Spanish, but "machista" stands for male chauvinist.  Buffalo Moon, with its sixties-inspired guitar pop, is fighting sexism while buoying the mood of the frozen tundra.

Final Score - TCDroogsma: 2.5/5
                              MinneSarah: 4/5

Well there you have it, MP3 junkies!  Another week's worth of songs downloaded, reviewed, & filed away!

As always, please keep in mind that neither Newest Industry nor our contributors are in any way affiliated with the artists above, The Current, or MPR.  We're just music fans with laptops and a bit too much time on our hands.
 
 




For more TCDroogsma be sure to give him a follow on Twitter (@TCDroogsma).  He can also be found right here on Newest Industry hosting our free weekly podcast Flatbasset Radio




For more MinneSarah be sure to give her a follow on Twitter (@MinneSarah).  She can also be found right here on Newest Industry filing reports out of St. Paul for our Big Day Out column 




For more Newest Industry be sure to give us a follow on Twitter (@NewestIndustry1) to stay up on the work being done by all of our contributors.  More importantly, we have a Facebook page here.  Trivial as it seems, stopping by and giving us a "Like" is a free & legitimate way to support the blog.



Most Played Albums: 2013


Well hey, everybody.  I thought I'd round up the 50 most played albums of 2013 for a little post here.  These are the albums that got the most play at Planet New Basset over the course of this terrible year.  To make things mildly interesting, I thought I'd jot down a quick thought about each one.  For the sake of maintaining your interest, each album is only allowed 140 characters worth of thoughts because, frankly, that's how we all process the world now.

Let's do it.


01. Edison - No Sun No Food (168 plays)

Laid back instrumentals out of the Bay Area. No Sun No Food soundtracked nearly all of my MPLS strolling this year.
 
02. Kanye West - Yeezus (143 plays)

People were down on Yeezus, but I loved it. Definitely Kanye's "angry" record, a necessary addition to his catalog.

03. The Suburbs - Chemistry Set: The Songs Of The Suburbs 1977-1987 (141 plays)

Figured it was about time I invested some time in these Twin Cities legends. Picked it up a couple of days before injuring my foot, so it'll occupy that time forever.

04. Veronica Falls - Waiting For Something To Happen (139 plays)

Perfect female-fronted British power-pop. Clever & full of hooks. Soundtracked my summer

05. P.O.S. - We Don't Even Live Here (134 plays)

Late to the party with WDELH, but this one definitely got its due in 2013. Not as good as Never Better, but nothing is.

06. Mixed Blood Majority - Mixed Blood Majority (132 plays)

MBM cooked up an album that gave Crescent Moon's voice a new backdrop & clearly influenced Joe Horton's new No Bird Sing album. Best work Lazerbeak did this year.

07. Dark Time Sunshine - Cornucopia (126 plays)

Phenomenal indie rap from group I've been meaning to spend more time with for years. Cornucopia is their first LP, but sounds fully realized.

08. Bruce Springsteen - Darkness On The Edge Of Town (124 plays)

Finally started to "get" The Boss in 2013.  DOTEOT is probably my favorite album that I spent time with in 2013. Front to back classics that all seem to fit together beautifully.

09. Atoms For Peace - AMOK (120 plays)

I wanted to like this album more, but it came up a little short.  Still, new Thom Yorke material is always great. "Ingenue" & "Stuck Together Pieces" are instant classics.

10. Low - The Invisible Way (119 plays)

The Duluth icons went super acoustic on this one, but it worked. Drums & Guns is still my favorite Low, but this one has a warmth that is new to the group.

11. Run The Jewels - Run The Jewels (117 plays)

Killer Mike & El-P!  Each provided one of my favorite albums of 2012.  They combined to dominate 2013.  Still angry with myself for missing their show at The Varsity.

12. Paul Westerberg - Stereo (113 plays)

An oldie that I decided to spend a week with. Most of Westy's solo work runs together, so spending a week with Stereo it revealed the subtleties.

13. Johnny Marr - The Messenger (113 plays)

Marr's solo debut is exactly what you'd expect. Smart, well-crafted pop, great guitar work, and Marr's voice is strong & true.

14. Crimes - Good Hope (112 plays)

An AOTW from a Twin Cities band I've been meaning to explore. Lo-fi, coutrified indie rock. Definitely a great vibe throughout the album.

15. Big Cats! - For My Mother (107 plays)

Instrumental album from Big Cats! was definitely a big part of my 2013 soundtrack. A warm, easy going affair.

16. Unknown Mortal Orchestra - II (105 plays)

A curious album that doesn't always do it for me.  Still, it contains "So Good At Being In Trouble," arguably THE single of 2013.

17. Micranots - Return Of The Travellahs (104 plays)

2013 was the 10 year anniversary of I Self Devine & DJ Kool Akiem's classic. Bought it years ago but finally gave it its due this year.
 

18. Graham Coxon - The Sky Is Too High (99 plays)

The solo debut from the Blur guitarist/songwriter. A pretty, lo-fi album that wears its charm on its sleeve.

19. Lifter Puller - Fiestas + Fiascos (98 plays)

Spent a week with F+F as an AOTW despite already having played it to death. Wanted to make sure I didn't miss anything. Probably the greatest album ever.

20. The Tribe & Big Cats! - Let's Be Professional (98 plays)

Downloaded on a whim while I was laid up. Lots of R.I.P's when these guys parted ways, but I didn't think it was anything special.

21. BNLX - BNLX (98 plays)

S/T album from Ed Ackerson & his wife. Punky, melodic, and packed with hooks. Definitely taking Ackerson's post-Polara legacy in a positive direction.

22. The Cribs - In The Belly Of The Brazen Bull (94 plays)

Played this one a ton in 2012 and again in 2013.  Until The Cribs put out something new it'll see regular rotation in 2014 too.

23. The Strokes - Comedown Machine (94 plays)

The Strokes final album?  Possibly, but if that's the case they went out on a strong note.

24. Little Man - Big Rock (86 plays)

Been listening to Little Man for years via SOTD. Finally picked up his debut. A little undercooked, but great glam hooks.

25. Dessa - Parts Of Speech (86 plays)

The follow up to A Badly Broken Code. More singer/songwriter stuff, fewer hip-hop signposts made this album a pretty dull affair.
 
26. Homeless & The Van Gobots - Twenty-Dirt (85 plays)

Homeless eschews typical hip-hop production for The Van Gobots shiny, proggy racket. Not a great album, but certainly an interesting one.

27. Midnight Evils - Straight 'Til Morning (84 plays)

An AOTW when I needed some loud guitars. Broken up for years and they probably still have more swagger than 90% of MPLS's guitar bands.

28. Mel Gibson & The Pants - w/Guitar (84 plays)

Another one I've had for years but never really explored. Lots of guests rappers, but the beats & instruments steal the show.

29. Allan Kingdom - Talk To Strangers (83 plays)

Some left field hip-hop. With Kingdom's unique beats and down to Earth raps, Talk To Strangers definitely occupies its own place in the hip-hop community.

30. The Central Division - Neighbor Of The Beast (82 plays)

Power-emo-pop. Lives in the same world as Brand New, but less artsy and more Midwestern. Discoverd these guys this year and loved everything I heard.

31. Clair De Lune - Marionettes (81 plays)

Bought this one on a whim at Extreme Noise. I really wanted to like it, but it's just not memorable. Technically the same genre as The Central Division, but nowhere near as memorable.

32. 12 Rods - Split Personalities (81 plays)

Broken up Twin Cities cult favorites.  FIgured it was time I got to know 'em. Spent a week with this one while laid up in Red Wing. Very 90's-sounding album.

33. Marijuana Deathsquads - Music Rocks I & II (81 plays)

I still can't believe this was free. Nine epic songs that were recorded live and edited the next day. MDS finally put out an album that does them justice.

34. The Jon Spencer Blues Explosion - Now I Got Worry  (80 plays)

Picked it up when I had plans to see them at the T-Rock. Never made it to the show, but glad I finally got around to the album.

35. Action Bronson & Party Supplies - Blue Chips 2 (78 plays)

After years of not quite getting it, Bronson finally won me over with Blue Chips 2. Party Supplies canvas is the perfect match for his rhymes.

36. P.O.S. - WDELH/MDS/RMX (77 plays)

P.O.S. & MDS were both ahead of this album on the list. The Deathsquad's remix album makes me wonder just which WDELH is the one P.O.S. enivisioned during recording.
 

37. Tree - Sunday School II: When Church Lets Out (75 plays)

MC Tree out of Chicago's most fully realized work. His "soul-trap" sound puts Midwestern sensibilities over Southern soul. Great listen.

38. Ras Dude - #0000 (75 plays)

Instrumental jams that owe equally to weed & Donuts. This one soundtracked my slow motion strolls while recovering from my broken heel. Great soundtrack.

39. Wild Ghosts - No Coast (73 plays)

Some garage rock racket from 2010 that made an appearance as an AOTW this year. Not a ton going on here, but sometimes music just needs to be loud.

40. The Verve - Forth (72 plays)

Picked up during a trip to The Fetus. This was a reunion album that picked up right where they left off. Sweeping, epic, & quintessentially British.

41. My Bloody Valentine - m b v (68 plays)

Hooks are the way to my heart, so MBV has always been a hard sell for me. It took me all year to finally "get" the vibe of m b v. Now I dig it.

42. The Vaccines - Live In Brighton (68 plays)

As I said, hooks are the way to my heart. Live In Brighton is a de facto "Best Of," covering all the bases from their two albums. Can't wait for LP3.

43. These Arms Are Snakes - Easter (67 plays)

Another Extreme Noise find. Being in that store makes me want to listen to post-punk and Easter delivers in spades.

44. Joey Bada$$ - Summer Knights (64 plays)

Summer Knights left a lot of people writing off the Joey Bada$$ experience, but I loved it. Mixtapes are usually overstuffed, but this hour of boom-bap is perfect for a summer night.

45. Dem Atlas - Charle Brwn (64 plays)

Tracked this down after hearing SIFU Hotman. Ended up getting lots of spins while I was laid up. EP was strong enough to get him signed with Rymesayers late in 2013.

46. Kill The Vultures - The Careless Flame (63 plays)

Another one that I've had for a while but hadn't genuinely invested in.  An AOTW from last winter, this album fits the season. Cold & sparse as Crescent Moon's passion burns.

47. Vandaam - Vandaam (60 plays)

Hipster elctro-pop from the Twin Cities. Vandaam frequently peeks their head above the unwashed, keyboard playing masses that Minneapolis calls a music scene.

48. MaLLy - Strange Rhythm (60 plays)

Follow up to his breakthrough The Last Great... MaLLy spends much of the album on top, goading his doubters while enjoying his moment atop the hip-hop hill.

49. Capital Steez - AmeriKKKan Korruption (58 plays)

R.I.P Capital Steez.  The more I listened to Joey Bada$$ the more I wanted to dig into the Pro Era sound. Steez laid the blueprint with AmeriKKKan Korruption.

50.Steddy P & DJ Mahf - Breakfast With Doctor Gonzo (58 plays) 

Hunter Thompson-inspired hip-hop out of Kansas City. Steddy P stears clear of gimmicks and stick to focused, "indie for life" raps.

There you have it, folks.  The 50 Most Played Albums Of 2013.  It may have been a garbage year in real life, but it produced some great music.

As always, feel free to check out my Last.fm page to keep track of what's getting spins over at Planet New Basset.

Tuesday, January 7, 2014

Album Of The Week: January 6-12, 2014


My Album Of The Week for the week of January 6th-12th, 2014:


The Cloak Ox - Shoot The Dog

It sounds strange, but I'm a little disappointed that I'm making this my first AOTW of the new year.  Shoot The Dog came out in 2013 and, had I taken the time to pick it up then, I'm almost sure it would have been one of my favorites of the year.


For those who don't know, The Cloak Ox is a group consisting of longtime Twin Cities musicians Andrew Broder, Martin Dosh, Mark Erickson, & Jeremy Ylvisaker.  Shoot The Dog is their first full-length LP, but it could hardly be considered a "debut."  If you're a fan of any of the musicians above, you probably have some sort of idea what you're getting into.

What makes this album intriguing to me is the fact that, while Andrew Broder & Martin Dosh have built their careers around music that could be deemed "difficult" or "inaccessible," The Cloak Ox finds these guys indulging in hooks & accessibility (by their standards, at least.  I mean, the album does open with the 9:00 "Yesterday's Me" and ends with 6:17 of a title track).  Regardless, the album sounds like Ted Leo trying to write a Radiohead record (which I mean as a huge compliment). 

If you follow my music writing/podcasts at all, you're probably already familiar with The Cloak Ox.  MinneSarah & I reviewed their song "King Rope" in Songs Of The Week #57.  I also opened Flatbasset Radio: Episode #23 with their track "Josephine."


While I don't agree with their dog shooting policy (or, theoretically, their ox cloaking policy), I'm genuinely excited to spend the week with this one.  Considering the weather outside, Shoot The Dog seems like the type of album I could spend a week getting lost in while hunkering down at Planet New Basset.

Sunday, January 5, 2014

Newest Industry Presents: Flatbasset Radio - Episode #26 (Best Of 2013!)


(THIS POST ORIGINALLY APPEARS ON THE TWIN CITIES BLOG NEWEST INDUSTRY)

I'll keep playing back these fragments of time...


Hello again, free music fans! Welcome to Flatbasset Radio: Episode #26!
 
For those of you who are unaware of the Flatbasset Radio format, here's what you're looking at: TCDroogsma is our resident MP3 junkie. As you've probably noticed in his Songs Of The Week column, he's not always the most positive music fan. In an effort to prove that he is, in fact, a fan of music, we give him an hour each week to play the songs he's digging and talk a little bit about them. Once he's recorded his podcast we put it right here on the website for free to stream!


In this week's episode Droogsy celebrates some of his favorite records of 2013, admits to being years behind in his apps, give his sponsor their money worth, is confounded by gender reversals in his Cover Of The Week, attempts to redefine "success" for musicians, gives us his slogan for the year, defends a genius' ego (or an egoists' genius), and gives us his theory as to why everybody thought 2013 was terrible!

You can download the podcast for free by clicking the episode's title or stream the episode by clicking on the Mixcloud player below.

Flatbasset Radio - Episode #26



01. Tree - Safe To Say
02. Atoms For Peace - Ingenue
03. Dessa - I'm Going Down
04. Ras Dude - Rizla
05. Johnny Marr - New Town Velocity
06. The Strokes - Happy Ending
07. Action Bronson & Party Supplies - Contemporary Man
08. Edison - Astringent
09. Beady Eye - I'm Just Saying
10. Mixed Blood Majority (w/Kristoff Krane) - Ritual
11. Low - Mother
12. Marijuana Deathsquads - Blood
13. Jonwayne - Ode To Mortality
14. Daft Punk (w/Todd Edwards) - Fragments Of Time
15. Kanye West (w/Justin Vernon & Chief Keef) - Hold My Liquor


There you have it, music fans! Enjoy!




For more TCDroogsma be sure to give him a follow on Twitter (@TCDroogsma).  Previous episodes of Flatbasset Radio are archived on his Mixcloud page.  Stop by Flatbasset Radio's Facebook Page & give it a "Like" if you have the time.

For more Newest Industry be sure to give us a follow on Twitter (@NewestIndustry1) to stay up on the work being done by all of our contributors.  More importantly, we have a Facebook page here.  Trivial as it seems, stopping by and giving us a "Like" is a free & legitimate way to support the blog. 

Saturday, January 4, 2014

Songs Of The Week #73: TCDroogsma & MinneSarah


(THIS POST ORIGINALLY APPEARS ON THE TWIN CITIES BLOG NEWEST INDUSTRY)

Andrew Bird, Sharon Jones & The Dap Kings, The History Of Apple Pie, & Typsy Panthre...


Well hello again, MP3 junkies!  Welcome to Songs Of The Week #73!
 

For those of you who are new to the SOTW column, here's the story:  TCDroogsma and MinneSarah are both fans of The Current's Song Of The Day podcast.  They're also both opinionated and have access to computers.  Seeing an opportunity to let them indulge in their MP3 habit and put them to work writing reviews we created the Songs Of The Week column.  Over a year later later and here we are.

As always, we strongly suggest that you follow this link and subscribe to the podcast yourself.  It's free and it's fun for the whole family!

To that end, once you've given each song a spin or two, feel free to cast a vote for your favorite song of the week in the poll to the right side of the page.  The artist who accrues the most votes wins the validation that comes from winning an anonymous internet poll, arguably the loftiest height to which a modern musician can aspire.

As per tradition TCDroogsma and MinneSarah have not read each other's reviews prior to posting

So... Droogsy, Sarah... thoughts?


01.  Andrew Bird - Pulaski At Night (from the album I Want To See Pulaski At Night)





TCDroogsma:

     "Pulaski At Night" presents a curious case for me.  Have you ever loved an artist and then, as they've toned down their weirdness/energy/exploration with age you find yourself losing interest as they settle into the "going through the motions" phase of their career (think Weezer or Jay-Z or Wilco)?

     Well, I've always wanted to like Andrew Bird, but I found his "artistic exploration" to be unfulfilling & his artistic quirks mostly pointless & annoying.  With "Pulaski At Night," all of that stupid bullshit has been reined in.  What we're left with is essentially Andrew-Bird-By-Numbers.  Now, for the type of awful people who enjoy Andrew Bird records, this is probably a disappointing turn.  For those of us who have never been able to sit throgh an entire Andrew Bird record without wanting to jam needles in our ears, "Pulaski At Night" is just the type of relatively straight forward pop song that makes the guy seem tolerable.  There's just enough quirky turns to keep the song interesting, enough hooks to keep the song kicking around my head for awhile, and not one moment that causes me to roll my eyes.   That's all I've ever wanted from the guy.

MinneSarah:

     "Pulaski at Night" is a commercially polished example of the acoustic indie that floods this podcast.  Mr. Bird has been the king of this genre since the aughts, and this song makes it clear why he is still reigning.  As any casual reader of my reviews can surmise, this genre does nothing for me.  Sometimes I turn on The Current and feel it has become an Andrew Bird marathon.  But, I'll give credit where credit is due, and "Pulaski at Night" seamlessly blends Bird's melancholy vocals with upbeat guitar and bass and playful violins.  The lyrics reference a move to/from Pulaski and Chicago, which affirms hipster cred as Pulaski is a tiny town in Virginia and Chicago is the comeback kid of metropolitan cities.  The song locks down night/day homesick yearning.  Would I listen to it on my own - never.  Will this song be on the Current the next time I tune in - we can start waging bets in the comments. 

Final Score - TCDroogsma: 3.5/5
                               MinneSarah: 3/5

02.  Sharon Jones & The Dap Kings - Ain't No Chimneys In The Projects (from the album Soul Time)







TCDroogsma:

     This is the second year in a row that MinneSarah & I have been tasked with reviewing a Christmas song after the holiday has passed.  Let me tell you, once Christmas has passed, the last thing you want to do is listen to Christmas music.

     "Ain't No Chimneys In The Projects" is pretty much every Sharon Jones & The Dap Kings song you've ever heard.  If you're already a fan then you know exactly what I mean.  If you're not totally buying the whole retro-soul package, "Ain't No Chimneys..." is nothing special.

     I tend to side with the latter.  Credit where it's due: Jones & The Dap Kings certainly give a hell of a performance.  Jones, in particular, handles the relatively pointless lyrics with such conviction that it makes me retroactively question her performances on non-Christmas songs.  Few musicians today are able to flip the "on" switch quite like Jones.

MinneSarah:

     It's the holidays! Well it was when these songs came out, and what better Christmas Eve song than Sharon Jones crooning a slightly unconventional Christmas tune?

     "Ain't No Chimneys" is a soulful lament to the Santa charade.  I'm a little confused as to whether her listener base is the 50% of Americans that grew up with a fireplace (I did my research) or the 50% that didn't.  I remember a Christmas in San Diego where I asked the same question of my dad, in his tiny bachelor apartment.  The questions stopped pretty quickly when Santa delivered the whole action figure set of She-Ra in one fell swoop from what I could only imagine was the patio doors.  Another interesting phenomenon was that reality at my mother's house, also chimney-less, was that Mrs. Claus was divorced from Santa and delivered presents to other divorced mothers on their front porches a week before the custody agreement sent them to their father's bachelor pads in San Diego.

     Jones claims that this Christmas helped her see what a superhero her mom really was - keeping up those Santa appearances to keep the dream alive in her daughter.  Everyone's holiday experience is different - just be happy that by the time you read this - the holidays are over.   

Final Score - TCDroogsma: 2/5
                               MinneSarah: 3/5

03.  The History Of Apple Pie - Tug (from the album Out Of View)





TCDroogsma:

     I was actually kind of excited to see The History Of Apple Pie in this week's songs.  I'd never heard them before, but my Last.fm page has had them under my "Recommended Artists" column for quite some time now.  I was especially excited because they ended up said column "Because you listened to Veronica Falls."

     Well, that certainly turned out to be a mistake.  I suppose it's not totally THOAP's fault that I'm comparing them a group that is "similar" in the sense that they both play guitars & have female leads.  Veronica Falls thrives on bold vocals, power-pop hooks , and clever, self-deprecating vocals.  THOAP replaces all three of those things with a sheen of fuzz that leaves the song sounding half-formed and claustrophobic.  As much as I'm typically down for some good shoegaze, songs like "Tug" stand as a reminder just how difficult it can be to master the genre.
 

MinneSarah:

     This is the fuzziest of fuzz rock songs that I've heard in a while.  The sweet vocals are drowned out by all the fuzzy guitars - making it sound like a live show.  Not many songs have such prominent guitars, and this is both a blessing and a curse for "Tug."  Those missing the 90's may long for such guitar driven ode to the 60's.  For me, it crosses the line from nostalgic hum to constant and, at times, piercing, and while I can't say constant is a bad thing, it doesn't make for a lot of re-listens.  Pity, I always want to love guitar-centric British bands. 

Final Score - TCDroogsma: 2.5/5
                               MinneSarah: 2/5

04.  Typsy Panthre - Claudine (from the album Korda Komp 2)





TCDroogsma:

     Trying to review songs that are sung in a different language is always a curious exercise.  Considering I don't speak a word of French, the vocals in "Claudine" essentially become just another instrument.  They're delivered brightly over a canvas of a humming bass, acoustic guitar strums, and some keyboard-based affectations, creating the atmosphere of a love song.  Of course, years of listening to clever songwriters deliver barbed jabs over upbeat pop leave me with my suspicions as to just what this "Claudine" is all about.

Still, the song is brilliantly executed (think The Magnetic Fields at their most fully realized).  Even if you have no idea what the song's about, "Claudine" stands up as an expertly crafted pop song, thoroughly enjoyable in any language.
 

MinneSarah:

     Local bands that sound like the bands I was introduced to on vacation in Montreal?  Did Minneapolis turn Quebec hipster over the past year?

     "Claudine" brings me back to my hearty Quebecquois phase - not just because the vocals are in French, but the slow keyboard build and upbeat yet sad feeling (is that just because the lyrics are sung in French?).  While nothing else I found from the band is sung in French, I think this song is a beautiful example of the band's range.  I love anything with keyboards, I love undulating pop songs, and I love songs that take you out of your present.  This song does all those things and is aurally gorgeous.


Final Score - TCDroogsma: 3.5/5
                               MinneSarah: 4/5

Well there you have it, MP3 junkies!  Another week's worth of songs downloaded, reviewed, & filed away!

As always, please keep in mind that neither Newest Industry nor our contributors are in any way affiliated with the artists above, The Current, or MPR.  We're just music fans with laptops and a bit too much time on our hands.
 
 



For more TCDroogsma be sure to give him a follow on Twitter (@TCDroogsma).  He can also be found right here on Newest Industry hosting our free weekly podcast Flatbasset Radio




For more MinneSarah be sure to give her a follow on Twitter (@MinneSarah).  She can also be found right here on Newest Industry filing reports out of St. Paul for our Big Day Out column 





For more Newest Industry be sure to give us a follow on Twitter (@NewestIndustry1) to stay up on the work being done by all of our contributors.  More importantly, we have a Facebook page here.  Trivial as it seems, stopping by and giving us a "Like" is a free & legitimate way to support the blog.

Wednesday, January 1, 2014

Most Played Albums: December '13


My most played albums of December, 2013:

 

(Larger picture indicates more plays)

01. Homeless & The Van Gobots - Twenty-Dirty (85 plays)
02. Allan Kingdom - Talk To Strangers (65 plays)
03. Sebadoh - Harmacy (58 plays)
04. Wild Ghosts - No Coast (57 plays)
05. The Good, The Bad, & The Queen - The Good, The Bad, & The Queen (48 plays)
06. Bruce Springsteen - Darkness On The Edge Of Town (40 plays)
07. Action Bronson & Party Supplies - Blue Chips 2 (38 plays)
08. Panther Ray - Parallel Motions (32 plays)
09. The Persian Leaps - Praise Elephants (32 plays)
10. Gasp - A Girl Called Glasgow (30 plays)
11. Kool A.D. - Not OK (30 plays)
12.The Beatles - The Beatles (29 plays)
13. All - Allroy's Revenge (28 plays)
14. The Kinks - Something Else By The Kinks (26 plays)
15. Sebadoh - III (23 plays)
16. Gayngs - Relayted (22 plays)
17. Madvillain - Madvillainy (22 plays)
18. Graham Coxon - The Sky Is Too High (22 plays)
19. The Hold Steady - Boys & Girls In America (21 plays)
20. Bruce Springsteen - The Wild, The Innocent & The E Street Shuffle (20 plays)
21. Air - Moon Safari (20 plays)
22. Cult Choir - Beautiful Funeral (20 plays)
23. My Bloody Valentine - m b v (19 plays)
24. Ras Dude - #0000 (19 plays)
25. The Baishe Kings - Eyes Of Mark Mixtape (16 plays)
26. Civ - Set Your Goals (16 plays)
27. Auggie The 9th - #GAWS (15 plays)
28. Screeching Weasel - My Brain Hurts (14 plays)
29. Cars & Trains - Live On KBOO (14 plays)
30. After The Smoke - Microwaves (14 plays)
31. Down By Law - Fly The Flag (13 plays)
32. Gorillaz - Demon Days (13 plays)
33. Prolyphic & Buddy Peace - Kraftwerking Man (13 plays)
34. Ryan Adams - Demolition (13 plays)
35. Big Star - #1 Record (13 plays)
36. The Coral - Magic & Medicine (12 plays)
37. Why? - Mumps, Etc. (12 plays)
38. Big Cats! - For My Mother (11 plays)
39. Morrissey - Viva Hate (11 plays)
40. Cars & Trains - 2 AM (10 plays)
41. F. Virtue - We Are Not The Shame (10 plays)

42. Jonwayne - Cassette 3: Marion Morrison Mixtape (11 plays)
43. Ben Folds - Songs For Silverman (11 plays)
44. Portastatic - Some Small History (11 plays)
45. Interpol - Turn On The Bright Lights (11 plays)
46. Lou Reed - Transformer (11 plays)
47. Secret Colours - Follow The Drone (10 plays)
48. Gladys Knight & The Pips - The Best Of Gladys Knight & The Pips (10 plays)
49. The Smiths - Meat Is Murder (9 plays)
50. Frankie Teardrop - Tough Guy (7 plays)

All info via Last.fm