Showing posts with label shoegaze. Show all posts
Showing posts with label shoegaze. Show all posts

Friday, January 15, 2016

Album Of The Week: "VHS" by Fury Things


Flatbasset Radio's Album Of The Week for the week of January 10th-16th, 2016:


Fury Things - VHS

01. Silence Is OK
02. Honest
03. Mersault
04. Bruised Fruit
05. Stitch Up
06. Some Things
07. Summer Bummer
08. Shakes
09. Bahia

(photo via Fury Things Bandcamp)

Before I get into VHS, let's take a little trip in the old way-back machine. Back to the simpler times of March, 2013, when men were men, women were women, and Fury Things' song "Vapors" was given away as a Current Song Of The Day track. Back then I was reviewing these songs in my old Songs Of The Week column. Here's what I had to say about "Vapors:"

"On first listen, I did enjoy the song. The problem is that, while yes, it is a fuzzed-out, hook heavy, shoegaze pop song, it lacks the little nuances that makes those things work. A good fuzz-pop song should have something that feels found. A little guitar bit, a vocal tick, hell, even putting the guitars in either speaker of the headphones. For a good example of what I'm talking about, put on any Polara album."

Hmmmm... Not a particularly kind review, but I wrote it then and I stand by it now.  However, I followed it up with this:

"Fury Things seem to have taken the approach that just turning up the volume of the guitars is enough. It's an intriguing enough sound that I'll definitely keep an eye on this band in the future. I wouldn't be surprised to find that, in two or three years time, Fury Things will look back on “Vapors” as a nice building block, but not much more."

Well, here we are two years later and I stand by that sentiment as well. In fact, reading an interview with Fury Things' singer Kyle Werstein on Sonic Bids regarding VHS I came across a similar sentiment:

"The writing process for this album was very effortless for me, since, for the first time, I felt like I actually had something to say. Until I started writing VHS while navigating the fog of post-college life, I would abstract my experiences to avoid writing about myself because I felt at odds with my own identity and importance. I still feel that way, but as I started writing the lyrics to these songs, I felt more confident in speaking specifically about what I was experiencing at that particular moment in time. It became therapeutic and cathartic. So VHS as an album is kind of my way of making peace with a number of personal demons, and all the songs on the album deal with that in a different way."

Since "Vapors" appeared on EP2, Fury Things have continued to bulk up both their sound and their songwriting. Over the course of three more EP's they grew by leaps and bounds, to the point where their last EP Saskatchewan raised their profile to the point that they were able to step into the annual Replacements Tribute show this year and tear through a set of Husker Du covers with nary a word of objection. They've been on the rise for a couple of years and people were genuinely pumped to see them.

And so we have VHS, the first full-length LP to their name and it does not disappoint. The album opens with "Silence Is OK," an ode the greatest of Minnesota traditions, keeping your problems to yourself and coping in silence. Give it a listen, though, and you'll find the band hitting all of their sweet spots:

The drums pummel, the bass grounds everything, and those layered, melodic guitars and come a long way from "Vapors." And that's all in the first 30 seconds.

In addition to streamlining their sound, the band seems to have taken a cue from their friend/spirit animal Bob Mould and put a real emphasis on writing hooks that grab you and don't let go. The verse, chorus, and lead guitar part are all distinct and all completely hummable.

When the band sticks to this formula, they're almost unstoppable. However, like most debut LPs, VHS functions both as a housecleaning and a chance to stretch out and try new things.  After tearing through the first half of the LP, they offer up the palette cleansing "Stitch Up," an instrumental swimming in reverb and what backwards percussion. While the track alone doesn't offer much to enjoy, it is indicative of where the band's collective head is at. A statement that they're not content to just hammer on hooks, but rather have a sincere interest in writing an LP with mood & structure.

While "Stitch Up" acts as the "try new things" aspect of the album, Side B brings with it the "housecleaning" with the band revisiting a couple of classic tracks from their split EP with Brilliant Beast. Both "Some Things" and "Summer Bummer" offer up the best of Fury Things sound, their inclusion (especially after the experimental "Stitch Up") makes it clear that the band has a desire to put out definitive versions of their early classics and move on to the next phase of their sound.  A promise they make good on almost immediately.

VHS closes with two of the best moments on the whole album. Remember up above when I said that a fuzz-pop song should have something that "feels found?"  Have a listen to "Shakes:"

Now that's what I'm talking about! I promise you, nobody listened to the first 3/4 of the album and thought, "Boy, I wish they'd slow down," but my word, listen to that. The tempo changes, the acoustic strums, the drawn out hook... Nothing on VHS makes me more excited for the future of Fury Things than the structure & nuance of "Shakes."

The band closes the album with "Bahia," a more structured take on the sounds they were toying with on "Stitch Up," a slow, drifting album closer that stands as the end of the first chapter of the Fury Things story.

Where Fury Things goes from here is anybody's guess, but VHS, while both a culmination of what they've accomplished so far and an indication of where they're going, more than stands on its own merits. Fury Things have definitely made good on the potential they showed back in 2013 and you'd be a fool to bet they won't do it again.

If you'd like to check out the album for yourself, head on over the Fury Things Bandcamp page and pick it up. For the full experience I highly suggest you pick up those early EP's as well.




For more TCDroogsma be sure to give him a follow on Twitter (@TCDroogsma).  Previous episodes of Flatbasset Radio are archived on his Mixcloud page.  Stop by Flatbasset Radio's Facebook Page & give it a "Like" if you have the time.

Wednesday, April 23, 2014

Album Of The Week: April 21st-27th, 2014


My Album Of The Week for the week of April 21st-27th, 2014:


Oaks - Field Beat

01. All Mine
02. Dreaming Arrows
03. Field Beat
04. Clouds
05. Falls
06. Some Of Them Do

I'll be honest, I know pretty much nothing about Oaks.   I took a walk down to Extreme Noise last week to film a bit with Ryan for Newest Industry (a bit that was, sadly, lost when my memory card became full halfway through).  As I've mentioned before, I have a real weakness for checking out the "Local" section anytime I'm in a record store.  On a whim I picked up Field Beat because it was described as "shoegaze" and because it was only 6 songs long which, let's be honest, is the perfect length for a shoegaze record.

Thanks to the internet I've learned that Oaks consists of husband & wife duo Jim Kolles & Erica Krumm.  You may know Krumm as the lead singer/guitarist for the band Sharp Teeth or, if you're like me, you may not.

Field Beat is, I suppose, a shoegaze album.  There's loud, buzzsaw guitars that come in waves.  There's heavy basslines.  There's a drum machine.  All the "shoegaze" boxes are checked off.  Fortunately, Krumm's vocals elevate the whole record, coming through clear and with a minimum of effects.  If you subtracted a bit of the punk edge from BNLX or the electronics from Wiping Out Thousands you'd have Oaks.  The songs here are thorough, heavy, and consistently excellent (with the exception of "Some Of Them Do," which is just feedback).  Field Beat is just the kind of record I hope to find when I go plunging into the "Local" section.

If you're so inclined, Field Beat is available as a "Name Your Price" download over at Oaks Bandcamp page. I strongly suggest that you be inclined.

Monday, September 30, 2013

Album Of The Week: September 30-October 6, 2013


My Album Of The Week for the week of September 30th-October 6th, 2013:


Fury Things - Fury Things

I've been aware of Fury Things for a while now.  Their song "Vapors" turned up as a Current Song Of The Day back in March.  When I reviewed it for SOTW #32 I wasn't particularly blown away, putting the song in the middle of the road with a 2.5/5.

Well, for whatever reason Fury Things kept turning up on my radar.  I'd see people talking about them on Twitter or find them in my "Similar Artist" tabs on Last.fm, you know, just random internet stuff.  Eventually I decided that I should give the band another chance and dig a little deeper.  I hopped over to their Bandcamp page and grabbed their first two EP's.  I gave 'em each a spin and decided that it made more sense to start with the first, self-titeld EP Fury Things (aka The One Without "Vapors" On It).  Very fuzzy, very hooky, and, most importantly, very speedy (all things I complained about regarding "Vapors.").