Showing posts with label chris koza. Show all posts
Showing posts with label chris koza. Show all posts
Sunday, January 11, 2015
Album Of The Week: "False Floors" by Rogue Valley
Flatbasset Radio's Album Of The Week for the week of January 5th-11th, 2014:
Rogue Valley - False Floors
01. False Floors
02. Dangerous Diamonds
03. Blueprints
04. Hunters And Trappers
05. Bay Of Pigs
06. Icebox
07. Orion
08. The Scattering Moon
09. Onward And Over
10. Shoulder To Shoulder Around The Fire
11. The Wolves And The Ravens
Well here we are, everybody, time for the fourth and final Rogue Valley album.
If you've been following along with the blog/podcast over the last year you've hopefully noticed that Rogue Valley has been my Album Of The Week every three months. This was not a coincidence. Chris Koza and his band wrote and recorded four separate albums to coincide with each of the seasons. Beginning last spring with Crater Lake, through summer with The Bookseller's House, and into fall with Geese In The Flyway, I've spent the past year listening to each of these albums in the order they were released and during the seasons that make up the theme for each album. As you can probably imagine, sticking to this plan has made for a rewarding experience.
Which leaves us here in post-holidays dead of winter, kicking off the new year with their "winter album" False Floors.
Now, before I get into False Floors, let me just explain what a curious task it's been to attempt to write about these albums. Rogue Valley mastermind Chris Koza was a well-accomplished songwriter long before he undertook this Rogue Valley project, which means that this four-album run doesn't follow the same trajectory as most bands. For example, listening to The Smiths albums 1-4, you get from The Smiths to Strangeways, Here We Come or, to use a more local example, you get from The Replacements Sorry Ma... to Let It Be. However, because of the condensed time frame and professionalism of the band, that raw-to-polished narrative doesn't exist with Rogue Valley.
Instead, we've been treated to four albums of good-to-great indie pop songs. With the cycle broken up into 46 songs over four albums, the differences from album to album tend to be more subtle. The Bookseller's House had an easy, breezy feeling of summer with tales of relationships and rolled down windows. Geese In The Flyway, on the other hand, focused more on the life, death, and transitional nature that accompanies autumn.
And so it goes with False Floors. The album is rich with signposts of winter. Icicles, hibernation, visible breath, clear night constellations, hell, even the name False Floors is a reference to not-quite-frozen lakes. All of these things make it quite clear that this is indeed the "winter album."
Those things, however, are the most obvious points of reference. Listening to the album over the week I couldn't help but be struck by some of the same the much larger themes at work. Wonder, dread, isolation, & endurance are all side effects of these long Minnesota winters and Koza makes it clear that each of these experiences (whether enjoyable or not) is essential to coping with winter and, in a larger sense, coping with aging and the passing of time.
The best example of all of these things at work is at the album's mid-way point and a song called "Icebox."
In the song Koza mentions the long nights of winter, the lack of warmth, a car that won't start, hell, frozen hands, he even mentions the collapse of the stars. And yet, the key line in the song is, "I feel lucky, I can see my breath, it means that I'm still kicking..." Winter is tough. Hell, life is tough. Yet, you press on because eventually the car will start, you'll be able to feel your hands, and winter will end.
Like I said at the top, listening to these albums during the seasons they're meant to be about has made the listening experience more rewarding and I genuinely believe that's been most evident with False Floors. It's a bit of a self-fulfilling prophecy, but hearing songs exploring these themes of isolation while slogging through yet another winter and actually living these things makes the album my favorite of the group (though, admittedly, I'll probably feel different as the seasons change. Geese In The Flyway is nearly flawless).
All that being said, I will yet again highly recommend that you check out the records for yourself. They're all available on Rogue Valley's Bandcamp page ranging from "Name Your Price" downloads to an ultra-saucy vinyl pack. You won't regret it.
For more of my rantings you can give me a follow on Twitter (@TCDroogsma). Previous episodes of Flatbasset Radio are archived on his Mixcloud page. Stop by Flatbasset Radio's Facebook Page & give it a "Like" if you have the time.
Labels:
Album Of The Week,
chris koza,
Minneapolis,
Minnesota,
rogue valley,
St. Paul,
Twin Cities
Friday, October 3, 2014
Flatbasset Radio Album Of The Week: "Geese In The Flyway" by Rogue Valley
Flatbasset Radio's Album Of The Week for the week of September 29th-October 5th, 2014:
Rogue Valley - Geese In The Flyway
01. Mountain Laurels
02. Centralia, PA
03. Grand Central Station
04. Et al.
05. Cleaning Slates
06. Singing Grasshopper, Gathering Ant
07. The Rutting Moon
08. Somewhere In Massachusetts
09. Geese In The Flyway
10. Cape May
11. The Bottom Of The Riverbed
12. Disappearing Ink
Well, if you haven't been outside in the last few days you may not have noticed, but autumn is officially upon us. Time to break out those peacoats and practical hats, Minnesotans, and enjoy the best & most brief season the state has to offer.
Of course, if you've been following along to Flatbasset Radio, you probably know that the changing of the season means it's time to return to Rogue Valley. For those who haven't been following along, back in 2010-11 Rogue Valley released four albums (one for each season). So far I've spent weeks with Crater Lake (spring) and The Bookseller's House (summer). Up now, Geese In The Flyway.
As you can probably tell from the title of the album, Geese In The Flyway is definitely an autumn record. Chris Koza's folky-pop songs focus on topics that suit this season. Themes of movement, change, loss, and nostalgia drift through each song on the album.
Have a look at those song titles. Geese In The Flyway is an east coast travel record. I don't know the circumstances behind this, but given the concept of an "Autumn Album," this migration east makes sense (unless you're actually a bird, in which case, please don't migrate east. That's not how it works).
Honestly, as enjoyable as Crater Lake & The Bookseller's House are, this is the first of the Rogue Valley series that genuinely feels like the band has realized their concept. Many of Koza's songs are melodically breezy (suggesting the waning sunshine of summer), but are lyrically heavy, as if the chilling weather had forced him to spend long days inside, contemplating the events of a whirlwind summer. It may not be a "concept record" in the traditional sense, but it's certainly a thematic one, and Rogue Valley nails it.
If you're interested in checking out the album for yourself it's available as a "Name Your Price" download at Rogue Valley's Bandcamp page. I highly suggest you pick it up before all the leaves are on the ground.
Labels:
autumn,
chris koza,
folk,
Minneapolis,
Minnesota,
pop,
rogue valley,
St. Paul,
Twin Cities
Tuesday, April 8, 2014
Album Of The Week: April 7th-13th, 2014
My Album Of The Week for the week of April 7th-13th, 2014:
Rogue Valley - Crater Lake
01. The Warming Moon
02. Red River Of The North
03. English Ivy
04. I-5 Love Affair
05. Hummingbird
06. Crater Lake
07. Rope Swing Over Rogue Valley
08. Ursa Minor
09. The Occidental Hotel
10. The Planting Moon
11. Slack Water
12. El-Ay
One of the longest and most deeply held traditions here at Flatbasset Radio is to be almost comically late to new music. Spending the week with Rogue Valley's Crater Lake is merely the latest example of me finally getting around to something I probably should have checked out years ago.
Most of you are probably already familiar with Rogue Valley. Back in 2010, local luminary Chris Koza decided to abandon his solo moniker for a year and create the band Rogue Valley. They went into speed recording mode and cranked out four albums over the course of a single year. The idea behind Rogue Valley was to put out one album for each season. That's a lot of meticulous, pop-folk music.
(Check out "Red River Of The North" to find out just what I mean by "meticulous pop-folk.")
Well, now that yet another difficult winter seems to be finally giving way to spring (knocks on every piece of wood in apartment), I thought I'd beginning working my way through the Rogue Valley collection by listening to Crater Lake, the album they created for spring. Much to my surprise, when I went to Rogue Valley's Bandcamp page, I found that each of these four albums is available as a "Pay What You Want" download. As such, I intend to spend the first week of each season (roughly) with each of these four albums. Rogue Valley is going to have a pretty dominant 2014 here at Planet New Basset.
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