Wednesday, December 2, 2009

Flatbasset-December '09

Here it is, kids. Last mix of the year. Honestly, I think it's one of the best I've put together (I've been acquiring records like crazy the last couple of weeks). I loaded it a little differently this month, but you should be able to download it the same way as always. Y'know... click, letters, numbers, audio gold...

Flatbasset - December '09

01. Iggy Pop - Tell Me A Story

I was listening to The Current on Thanksgiving and they were running a bunch of episodes of Theft Of The Dial. I heard this song during Black Francis’ set. He was singing the praises of this album, New Values, from 1979. After listening to it a few times it made perfect sense that Black Francis would recommend it. You can hear it all over those old Pixies records.

02. BK-One (w/Aceyalone, Myka 9, & Abstract Rude) - Mega

BK-One is Brother Ali’s DJ, which means he’s tied up most of the time. I read that when he has free time he and his wife like to travel. At one point they went to Brazil and he spent most of the trip crate digging. He took all those old Brazilian records, chopped ‘em up, called some fantastic MC’s (Ali, Slug, Murs, Print, I Self, Black Thought…) and put together this Radio Do Canibal album and it’s fantastic! If I would have told you that the best Brazilian-influenced hip-hop album ever would have come out of Minnesota you wouldn’t have believed me, would you?

03. Thao With The Get Down, Stay Down - When We Swam

My favorite November Current song. “Oh, bring your hips to me…” is one hell of a pick up line.




This is Thao With The Get Down, Stay Down. If you know me you know why this is funny.

04. Death From Above 1979 - Black History Month (Alan Braxe & Fred Falke Remix)

Has there ever been a band better suited for remixes than DFA 1979? I not really a fan of remixes in general, and the original version of this song kills, but Alan Braxe & Fred Falke (whoever they are) did a lovely job of fleshing this song out.

05. Wale (w/Gucci Mane) - Pretty Girls

I like Wale because he’s a great example of the way “mainstream” and “underground” are words that are increasingly difficult to use to describe hip-hop. I guarantee that if I ever host a party, Attention Deficit is going to get major play (and you pretty girls better clap clap).

Sidenote: I had to put this song on there just so I could say Gucci Mane turned up on one of my mixes (“Yellow stones on my wrist remind me of a Slushee”). WTFuck, Gucci?

06. The Hold Steady - Magazines

New York does get pretty heavy, believe me.

07. Har Mar Superstar (w/Karen O) - Cut Me Up

This has to be one of the most criminally underrated singles in the history of Minnesota music. Instead of being over the top graphic, Har Mar toes the line nicely. I also like the fact that this song essentially has two choruses (“Cut me up, break me off baby…” “cut me up, uh uh owww”) Why save hooks for other songs when you can just jam them into one fucking great song?

Sidenote: This song is better then all the songs off It’s Blitz! combined.

08. F. Stokes & Lazerbeak (w/Mictlan) - Blessings

I was at work a couple of weeks back and Mictlan passed along a copy of Death Of A Handsome Bride, Stokes & Beak's EP. I remembered Stokes jumping on stage with Beak & Mictlan at the Mercury Lounge a while back and dropping this song and I was very impressed.

I love Mictlan’s verse on this song for two reasons, 1. It turns the song from Chicago to Minneapolis and 2. Shout out to tofu!

09. Why? - Into The Shadows Of My Embrace

I was a little skeptical when I picked up Eskimo Snow a while back. Alopecia was a nearly-perfect album and Eskimo Snow was being marketed as the songs that “didn’t fit” with Alopecia (they were recorded at the same time in MPLS. That’s right, two of the best left-field pop albums and the best Brazilian-based hip hop album were both out of Minneap. It's not all Slug and Paul Westerberg, kids). However, I guess the reason the songs were left off is because they’re even more “indie rock” than Alopecia, which is a great thing (note the guitar freak-out at the end of this one). This record is going to get so many plays while I try to get through this winter.

10. Attracted To Gods - Demon Girl

Attracted To Gods is the guitar & drums blues band led by Atmosphere’s guitar player Nathan Collis. Their Sinners & Saints album is pretty solid. I mainly put this one on for the Cecil Otter fans who download my play lists (y’know, all, um, none of you). Cecil chopped this one up for his own “Demon Girl.”

11. Brazilian Girls - Losing Myself

Oddly, my friends Jesse & Inga both turned me on to Brazilian Girls at the same time. They’re decent, but they’re kind of a joke too. I mean, French lyrics? If you’re not David Byrne, you’re not gonna pull this off. Great hook, though.

12. The Dandy Warhols - Minnesoter

The Dandy Warhols will always have a fan base in Minnesota thanks to these 180 seconds. Sure, that fan base is getting to be over 30 and probably won’t go to shows past 10:00 PM for much longer, but we’re still here! Nothing but love!

13. Bobby Caldwell - Open Your Eyes

I put this one on for all the Common fans who read my blog (fuck it, there are no Common fans reading this. Hell, there’s no Common fans WRITING this blog). Still, I bet when J Dilla found this song in his crates he fucking lost it. I’ve always said, the best thing about most Common records is the beats. The guys got talented friends.

14. Felt - Ghost Dance Deluxe

Speaking of talented friends, Aesop Rock’s beat owns this song. I won’t get into all again, but listen to those horns. Straight out of “Ghost Town.” Plus, Murs & Slug swearing off living girls to pull dead girls? Don’t you guys have enough girl problems?

15. Total Babe - Barebones

My favorite Minnesota-based Current song of the month. Not to knock the song, but this was more a case of "someone has to win." Come on, Minny, step ya game up.

16. Tom Waits - Christmas Card From A Hooker In Minneapolis

You know I’m no Tom Waits fan, but this one seemed appropriate. More for the Christmas/Minneapolis bit, not, y’know, the hooker bit..

Sunday, November 8, 2009

Flatbasset-November '09

Sorry I'm so late with November's Flatbasset Mix and with my countdown of my favorite 250 songs of the 2000's. I've been living like the bastard child of Karen O and Eddie Argos for the last couple of weeks. But, I'm here and it's now, stretch out and enjoy.

Flatbasset-November '09


01. The Get Up Kids - Mass Pike

If you’ve been regularly downloading my playlists, you know it’s no secret that I have a real soft spot for that late 90’s-early 00’s emo. The Get Up Kids are a prime example of everything that was good about emo before it really mainstreamed (that’s right, I make up verbs) a couple of years later. When you break down a song like “Mass Pike” down, it’s just a pop song about being on the road and missing your girl. Obviously, these are not subjects that only inhabit the world of emo. I mean, we’ve all been there, y’know?

02. Cee-Lo - One For The Road

There’s a great line in this one where Cee-Lo claims, “If I only had 16 more bars to live, I’d get high and hopefully OD on an alternative.” This song perfectly lays the groundwork for what Cee-Lo was about to do, which, as we all know, was Gnarls Barkley.

Props to Phil for passing this one along to me.

03. Lucero - The Devil And Maggie Chascarillo

Tied for my favorite non-Minnesotan song on October’s batch of Current Songs Of The Day. I had heard some Lucero before I heard this song and it was pretty raw stuff. Thanks to the horns and keyboards, this song has that southern swagger that seemed to be missing. Plus, that chorus is a fucking killer.

04. Unicorn Dream Attack - Alone

I caught The Current while I was at work the other day and they were playing their favorite 8-bit songs. You know, songs built around old Nintendo noises and such. I was a little underwhelmed by this phenomena when it came about a few years back, but I had forgotten how great this song is. What a lovely little love song.

05. Rage Against The Machine - Sleep Now In The Fire

Speaking of songs I forgot I like. By no means am I a hardcore Rage fan. I’m barely a fan at all. But every now and then they catch a groove and I’m reminded that this whole rap-rock thing had potential once. Can you believe it’s been ten years since this record came out? Goddamn I’m getting old.

06. John Vanderslice - Fetal Horses

Does anybody who reads this no anything about John Vanderslice? Over the years I’ve ended up with a few of his songs and they are all brilliant little pop gems. For some reason this sounds to me like a super-poppy Ted Leo. Anyone else hear that or am I losing it?

07. Golden Silvers - True No. 9 Blues

The other half of the tie for favorite non-Minnesotan song. Mikko Koivu's theme song when Steph signed with Tampa Bay. Kids, this is how you rip off the 80’s. Please take note.

08. Operation Ivy - Sound System

I can’t hear this song without wanting to get up and skank. Makes me feel like I’m 15 years old again.

09. Brother Ali - The Freshest Kids (w/Toki Wright & Evidence)

That’s right, I put Brother Ali on the mix two months in a row. I think he might be the first artist to be able to put that on his resume (and he should, I’ve put some good stuff on these). Besides, who puts together a theme song for their own tour? I bet this one killed at every date of that Fresh Air Tour.

10. Lower 48 - Miles From Minnesota

My favorite Minnesotan song of The Current this month. While I can’t relate to a desire to leave Minnesota, it does have a charming little melody and a sweet story of the little things that are great about being a couple (“We’ve got everywhere to go, but you should sleep, I’ll see you in the morning). Awww…

11. The Rentals - Please Let That Be You

Return Of The Rentals stands up better than almost every other Alternative Nation album from the 90’s (no offense, that dog). Who would have thought that when Matt Sharp left Weezer that his bands debut album would have more staying power than anything Weezer did after he left?

12. Soul Position - Mic Control

You know, I didn’t really like Blueprint this first time I heard him. It always seemed like he wasn’t quite on the beat. After seeing him a few time and listening to Unlimited a dozen times I figured out how he was rolling. RJ and Al are certainly onto something.

13. The Rolling Stones - Play With Fire

I’m a big fan of Wes Anderson’s films (as are most twenty-somethings with, um, “hipster-ish leanings"). He always uses music so well in his films, even if he has some trouble getting his head out of the 60’s. This one is brilliantly deployed in The Darjeeling Limited. Definitely a soundtrack worth checking out.

14. Deltron 3030 - Madness

This album is about 5 songs too long, but damn if Del doesn’t have a flow that sounds great in my car. It seems like everyone who works with Dan The Automater only works with him once. I’m not exactly sure why that is. That tempo change hook is a stroke of genius.

15. Motion City Soundtrack - Can’t Finish What You Started

I must be the oldest Motion City Soundtrack fan in the world by at least 5 years. Their hooks are so good though. If you ever see me flying down 94 bobbing my head side to side like a 15 year old girl who just discovered pop music, you should assume I’m listening to Motion City.

16. Belle & Sebastian - Stay Loose

The last song off of Dear Catastrophe Waitress finds Stuart Murdoch and the band (Collective? Loose Association Of Well Dressed Scots?) doing their best Talking Heads impression. They pull if off a lot better than a lot of these new bands whose sole goal seems to be a credible Talking Heads impression. Well played, lads.

Friday, October 2, 2009

Flatbasset - October '09

What? You thought just because I'd gone playlist crazy I'd ignore my monthly posts? You ain't know I'm putting in work? These cats ain't inform you? I ain't playin' here! I ain't playin' this year!

Flatbasset - October '09


01. David Bowie - Space Oddity

I don’t know exactly when it happened, but it struck me at some point that this is probably my answer to the question, “What’s your favorite song?” What’s so great about it? Tough to say. It’s a killer sing along song. It has two distinctly different parts, tied together well. It’s lyrics are nonsensical, yet kind of relatable. It’s the only song I’ve ever heard that is actually improved by the presence of a saxophone. It helps you separate which people you can trust if a fire breaks out in your bar. Fuck it, I dunno. David Bowie is my homey.

02. Red Pens - Street Issue

This is my favorite Minnesotan-based song of the month. That being said, isn’t it a little suspicious that just a year ago Wavves blew up with a single, distortion-filled guitar-and-primitive-drum sound and now Red Pens are blowing up the Twin Cities? I’m not trying to knock ‘em. Hell, the song’s on here, innit? Just a little suspicious, that’s all.

03. Steely Dan - Peg

Fucking classic. This one’s for you-know-who.

04. Drag The River - Until I Say So

Back when All was still a functioning entity, they turned this Chad Price song into one of the best songs off their Mass Nerder album. I always had the sense that when each of the members of All brought their songs to the table, running it trough the other three members sensibilities was a positive thing, giving the songs their distinctive Allular feel. This one makes me question that whole theory. Clearly, Chad’s DTR version is much better.

Sidenote to Sarah Elise: I would have loved to see just how far your eyes rolled when this song came on.

05. Morrissey & Siouxsie - Interlude

Lil’ Squawk Box shuffled to this song a few weeks back and it blew me away. I had forgot it existed. In fact, given Morrissey’s reclusive and, let’s face it, egotistical, nature, the fact that this song even exists is hard to fathom. Yeah, it’s typically lovelorn, but here we have Morrissey actually sharing the spotlight. Sharing! When has that ever happened? Ever? Not only that, but he’s even a little overshadowed by Siouxsie. If this same song was presented to him today with a comparable pop star (um… I don’t even know who’s comparable. Lucinda Williams? Chan Marhsall?) there is absolutely no way he’d agree to it.

06. Brother Ali - Best @ It (w/Freeway & Joell Ortiz)

Ali’s new album still hasn’t completely grown on me. He’s a much more interesting MC when he’s talking about himself rather than telling stories. I do love his little shot at Weezy and Yeezy on this one.

Freeway has played his cards very well. He couldn’t quite make it in the mainstream, but in his defense he was rolling in a posse with Jigga and Kanye. I mean, that’s not a lot of breathing room. Still, with the music industry gone sideways, he went back underground and hitched his wagon to Brother Ali & Jake One (remember how good “The Truth” is?). Tell me this is a bad career move.

07. Sloan - Try To Make It

A pop song about getting invited to go out with your friends, kind of wanting to, but ultimately deciding that staying in is more fun than going out? I haven’t been able to relate to a song this well since The Ying Yang Twins “Wait (TheWhisper Song).” I’m glad Sloan gets their props up north. These guys are so good. If you’re ever at Cheapo, I highly suggest you find a $4.95 copy of A-Sides Win: Singles 1992-2005.

08. Kill The Vultures - Moonshine

I caught Kill The Vultures a couple months back, just before The Uptown Bar closed. It was just Crescent Moon and his DJ and about 30 of us in the bar and it was still a fantastic show. I definitely get the impression that Crescent Moon has realized that KTV is just too rough to ever get digested by the mainstream, so he’s doing it for the love of it and the respect of the people who have taken the time to embrace it. At least that’s the vibe I get. Maybe he’s just pissed off. Tough call.

09. Dirty Pretty Things - Doctors And Dealers

Carl Barat was always the more driven, less artistically exciting half of The Libertines. Without Pete Doherty, he and what was left of The Libertines managed to put out a great album, Waterloo To Anywhere, as Dirty Pretty Things. This is one of my favorite British albums of the last few years. Sadly, I heard that the band has broken up. Who would have thought Babyshambles would outlast… well, anyone really?

10. Hockey - Too Fake

My favorite Current song from September. I know it’s just snarky, hipster bullshit, but when the chorus kicks in with those keyboards… mmmm… The fact that the band is named Hockey doesn’t hurt either.

11. Local H - All The Kids Are Right

If you have any taste at all you were probably sick of this song 5 years ago. I love the premise of this song. It’s crazy, fan-based, fourth-wall-breaking premise is a thing of beauty. I still can’t figure out if, “They won’t wear our t-shirts now…” is supposed to be an asshole thing to say (like, “Oh, I’m really hurt that you won’t wear our t-shirts”) or if it’s something that a young Scott Lucas would have taken seriously (like, “I really loved Big Black, but I met them and they were assholes. I’m never wearing this shirt again.”). Plus, I miss Joe.

12. MK Larada - Teddy Bear And A Tazer

MK Larada is the man behind the scenes when it comes to Doomtree. He has one album out under his own name titled Break In Two: Music For B-People. It’s like thirty tracks without a break that is meant to be the soundtrack for a breakdancing party. This track is the only time anyone else from Doomtree turns up and it’s the highlight of the album.

13. The Killers - Under The Gun

I haven’t heard the latest Killers record yet, but I’ve heard bad things. That’s why I’m surprised that Sawdust, their collection of b-sides from their first couple albums, is so great. Clearly, these guys had quality songs to spare (did you see that? That was my hipster cred getting up and leaving the room).

14. Elvis Presley - (Marie’s The Name) His Latest Flame

I wonder if Elvis' faith in love is still devout?

15. The Neptunes - Popular Thug

Say what you want about Pharrell the pop star, but don’t knock The Neptunes beat making ability. Clones, their album full of guest MC’s is pretty spotty rhyme-wise (what MC would bring his A game to someone else’s album?), but the beats are phenomenal.

I really can’t believe Nas and Kelis couldn’t make their marriage last. How was Kelis not aware that Nas was, in fact, a popular thug? Tough break. Back to the yard, girl.

16. Silver Jews - Sleeping Is The Only Love

I’ve really come around on the Silver Jews lately. I don’t know exactly why. David Berman seems to share a similar screwball sensibilities with people like Aesop Rock, Buck 65, & Yoni Wolf. Except it’s a little countrified. For some reason that’s the type of stuff I’m digging right now.

17. Dillinger Four - Gainseville

Unfortunately, it felt nothing like summer this October. Damnit Erik Funk! You jinxed it!

Thursday, September 24, 2009

In My Mind My Dreams Are Real...



I gave up video games years ago. I had an epiphany one day while I was on my laptop updating the spreadsheet containing the running statistics of four seasons worth of video game Minnesota Wild seasons featuring versions of my friends I’d created and given nearly inhuman hockey skills. It struck me as I was updating these stats that if any girl I dated eventually asked about this, and that this would probably be the last conversation I would ever have with that girl. For some reason winning four straight Norris trophies is not that impressive. I wonder if Bobby Orr had this problem?

Anyway, over the last couple of weeks I’ve read glowing review after glowing review of the new Rock Band: The Beatles game and I’ll admit, I’m intrigued, especially by the story mode (evidently you play at The Cavern Club in Hamburg, The Ed Sullivan Show, Abbey Road…). I’ve never played either Rock Band or Guitar Hero. In fact, I don’t own a television or a video game console. If I do decide I want to see what all the fuss is about I’m going to be looking at a roughly $400 tab. Frankly, I don’t care that much. At least not about The Beatles. This got me thinking about what bands would make me willing to throw down $400 just for the privilege of living their story and singing their songs with Margo in my living room. I came up with these 15. They’re judged on 5 criteria (Rating 1-10): Instrumental Complexity, Vocal Complexity, Storyline, Fun Factor, and the inevitable X Factor. I'm also working under the assumption that their entire catalog would be included in the game.

15. Rock Band: The Hold Steady

Instrumental Complexity: 4. While the songs aren’t the most complicated, Tad Kubler does manage to pull off a few great solos. Plus you’ll have to figure out how to play a Rock Band harpsichord for “One For The Cutters.”

Vocal Complexity: 2. Let’s be honest, we can all sing like Craig Finn. The highs ain’t high and the lows ain’t low. Adding a couple people for the backing vocals on “Chips Ahoy!” and “Slapped Actress" would help liven things up.

Storyline: 1. Move to New York, start band. Unless they decide to use the graphic capabilities to tell the story that’s told in The Hold Steady’s songs, in which case the score hits a 9. Who wouldn’t want to see a digitally rendered Charlemagne in sweatpants?

Fun Factor: 8. The Hold Steady is a band designed for rolled down windows and steering wheel drumming.

X Factor: 7. There are very few in betweens when it comes to Hold Steady fans. Get 4 or 5 diehards into your apartment and stock the fridge with PBR.

Party Track: Massive Nights (Just so the whole room could get in on the chorus)

14. Rock Band: TV On The Radio

Instrumental Complexity: 8. Half the time I can’t tell what the fuck’s going on. As long as I get to play whatever makes that elephant noise at the beginning of “I Was A Lover.”

Vocal Complexity: 6. Tunde Adebimpe and Kyp Malone are vastly overrated as vocalists. Still, a song like “Province” would be plenty of fun with a couple of mics.

Storyline: 0. Already in New York, start band, never pay any dues because you’re adored by critics from the beginning. Rough.

Fun Factor: 7. TV On The Radio’s catalog runs the gambit from rockers (“Wolf Like Me”) to dancy (“Crying”). If nothing else this game would keep your toes. Plus you’d have to get about 4 drum kits and some rhythmic friends to play “A Method.”

X Factor: 8. Bring a date over and duet on “Lover’s Day.” If you can pull that off, you’re gold.

Party Track: “Halfway Home” (Make all your friends do the “buh buh buh ba ba ba ba buh” bit)

13. Rock Band: The White Stripes

Instrumental Complexity: 5. I know, Jack White’s hellbent on proving he’s the best guitar player on earth and you’d be left to figure out the solos. Still, the first half of this catalog is incredibly simple.

Vocal Complexity: 7. Between the high notes and the affectations, Jack White is one tough nut to crack.

Storyline: 6. A couple of left turns (moving to Nashville, Jack breaks hand, Meg has a panic attack, Brendan Benson shows up in the middle of the game for no discernible reason) make this one more interesting than you might think. You better learn to love the Conan O’Brien set though.

Fun Factor: 6: Tough one. On the one hand, the songs are not that difficult and loads of fun. It’s been like 7 years and I’m still not sick of “Black Math.” On the other hand, only room for two people. Unless you have a bigger room.

X Factor: I hope you have a wardrobe heavy on black and red.

Party Track: “It’s True That We Love One Another” Better have a couple mics.

12. Rock Band: Editors/Interpol

Instrumental Complexity: 2. Guitar player, can you do angular? Bass player, can you do pulsing?

Vocal Complexity: 4. Vocalist, have you ever heard of Ian Curtis?

Storyline: 3. The most interesting thing about either of these bands is that they claim to not be each other.

Fun Factor: 7. I make fun, but between the two of them there are at least 20 tracks that absolutely kill. “Slow Hands,” “The Heinrich Maneuver,” “Smoker Outside The Hospital,” “Munich…” It would be a good time.

X Factor: 6. The Carlos D animated character would be priceless.

Party Track: “Obstacle 1” (Especially when the song climaxes and falls back to earth during the “she floats away” bit).

11. Rock Band: The Clash

Instrumental Complexity: 7. Runs the gambit from deceptively simple (“Clash City Rockers”) to needlessly, uninterestingly complex (pretty much all of “Sandinista.”)

Vocal Complexity: 4. Not the most technically difficult, but who doesn't love telling the Queen to sod off?

Storyline: 3. A little drab, but it would be pretty cool to see the foggy waterfront from the “London Calling” video and unveiling that big The Clash! banner from the top of the Capitol Records building.

Fun Factor: 5. Really only fun until the end of London Calling. If they didn’t give a fuck about making Cut The Crap you certainly don’t have to give a fuck playing along.

X Factor: 7. Watching your friend sing, “He who fucks nuns will later join the church!”

Party Track: “Rock The Casbah” (I really want to say “Train In Vain,” but you know this will get everyone going.)

10. Rock Band: Oasis

Instrumental Complexity: 3. Everyone knows that a good chunk of Oasis’ charm comes from the fact that it’s just big, stupid rock n’ roll.

Vocal Complexity: 4. “Sun-she-yiiine” Again, not rocket science, but a damn good time.

Storyline: 7. You’d get to play all those big Glastonbury gigs. Plus, that unplugged gig where Liam sat and heckled Noel. Bonus points for whoever can come up with the most creative way to insult Blur and/or your own brother.

Fun Factor: 8. The number of tracks that will get you and your friends going is ridiculous. “Live Forever,” “Supersonic,” “Wonderwall,” “Don’t Look Back In Anger…” Classic.

X Factor: 5. The songs get noticeably worse as the game progresses. If you want to make things interesting you could always tackle whoever’s playing Noel during the first verse of “(What’s The Story?) Morning Glory?”

Party Track: “Champagne Supernova” (Honestly, who hasn’t got drunk and sung this song with their friends anyway?)

9. Rock Band: Pixies

Instrumental Complexity: 7. Frank Black gets too much credit for this band’s schizo energy. Without Joey Santiago’s guitar work Black Francis would just be Isaac Brock.

Vocal Complexity: 7. That equation works both ways though. Black’s yelping to crooning to barking to yelling style is not easily imitated (at least not well). Just imagine trying to sing something like “Broken Face” or “Wild Honey Pie.” Plus, you HAVE to have a female to sing Kim Deal’s parts. You can’t have the echoey bit from “Where Is My Mind” without a good Kim Deal.

Storyline: 4. Not the most interesting. You’d get to play in Steve Albini’s studio? Is that cool? It would be cool to see the digitally rendered fatter, balder reunion tour Pixies though.

Fun Factor: 7. You’d only be able to invite people 26 or older, but singing “Here Comes Your Man” with a few friends would be a ball.

X Factor: 4. If you nail enough songs you unlock the phone number to send the same fax Frank Black sent to notify everyone else that the band was done.

Party Track: “Monkey Gone To Heaven” (Gaaahhd is seven!)

8. Rock Band: The Mars Volta

Instrumental Complexity: 10. I can barely process those jazz-to-metal guitar freakouts while listening to the albums let alone trying to play along.

Vocal Complexity: 10. Godspeed you! aspiring prog-rock vocalists.

Storyline: 9. While I doubt much of the mythology Cedric Bixler-Zavala and Omar Rodriguez-Lopez have spun around the content of their albums, it would be fun to see the stories of dead friends diaries, comatose suicidal artists, and Israeli legends all played out. And the drugs. Don’t forget the drugs.

Fun Factor: 3. Let’s face it, The Mars Volta is not a band for everyone. Logically, their Rock Band would not be a Rock Band for everyone. However, the diehards would love it. I think that Rock Band junkies unfamiliar with the band would learn to love it for the intricacies as well.

X Factor: 5. Can you grow an afro?

Party Track: “The Widow” (I guess?)

7. Rock Band: Blur

Instrumental Complexity: 8. Deceptively high for a band known for “Song 2” and “Park Life.” Graham Coxon was no slouch though. Good luck with the second half of 13.

Vocal Complexity: 8. Again, deceptively high. Just because Damon Albarn is able to sound so casual in his style doesn’t mean he is being casual. Trying singing along to “Beetlebum” sometime. Make sure no one is in the car with you.

Storyline: 6. Blur used their songs to tell stories of the English middle- and lower-class. I’m guessing they may have done this because their lives were not that exciting. Some “Reader Meets Author” type stuff. It might be fun to watch the Damon Albarn character mope around after he broke up with Justine Frischmann.

Fun Factor: 9. Just try to picture yourself and a couple of friends singing “Coffee & TV.” Honestly, how much fun would that be?

X Factor: 6. Do you have friends who knew who Blur were before “Song 2” broke? If you don’t, then this game may not be so fun.

Party Track: “Song 2” (If you’re in America), “Girls & Boys” (If you’re in the UK)

6. Rock Band: Low

Instrumental Complexity: 8. Low is the perfect band to flip Rock Band on its head. Their music is all about subtlety. Speed counts for nothing. Pacing is everything.

Vocal Complexity: 8. Same story. Alan Sparhawk and Mimi Parker’s spare, sparse harmonies would reward those who understand patience and attention to detail.

Storyline: 1. I love Duluth as much as the next guy, but c’mon…

Fun Factor: 5. I put this in the middle because people who either A) Like Low or B) Would like to see Rock Band turned on its side would probably think this game was incredible. People who have never played Rock Band or (unfathomably) dislike Duluth would probably be bored to tears.

Party Track: “Broadway (So Many People)” (An endurance test based on structure, pacing, harmonies, and the rewards of what isn’t being said.)

5. Rock Band: Prince

Instrumental Complexity: 8. Prince is either the most underrated or overrated guitar player on Earth (depending on your view of guitars and Earth). Since Rock Band has become a generation defining example of instrumental prowess, we’ll settle this once and for all.

Vocal Complexity: 7. Very little in the way of backing vocals, but whoever you put in charge of singing better know their way around some high notes.

Storyline: 9. Digitally rendered First Avenue! Morris Day and his black man-servant Jerome! Writing “Slave” on your face while simultaneously changing your name to an unpronounceable symbol. Super Bowl halftime show. Sex with a list of “protégés” much too long for this space. Good times.

Fun Factor: 10. “Dearly beloved, we are gathered here together to celebrate this thing called life…” Every party should start like that.

X Factor: 7. The game would have to have an option for “Hits” & “Everything Else.”

Party Track: “Purple Rain” (This is the second best drunken singalong song ever written. Sidenote to Pheezy: Remember Trash Bar? Tell me I’m wrong.)

4. Rock Band: Radiohead

Instrumental Complexity: 10. Starts out simple enough, then grows and grows until you’re trying to figure out how the fuck to play “Treefingers”

Vocal Complexity: 9. There’s a reason Thom Yorke is always on the top of lists of the best vocalists of our time. No one can do what he does. It would be fun to try though.

Storyline: 3. The one big drawback of this game. The Radiohead story is just not that interesting. Five guys who turn up every couple of years and rewrite what “pop music” means.

Fun Factor: 9. I was going to put this lower, but the fact that these songs are universally beloved coupled with watching your friends do that twitchy Thom Yorke dance bumped it way up.

X Factor: Once you beat the “Expert” level your reward will be finding out exactly what the fuck that guy said at the end of the “Just” video.

Party Track: “Creep” (I’m sorry, but you know I’m right.)

3. Rock Band: Wilco

Instrumental Complexity: 7. Much like the Radiohead model, the tracks start nice and simple and grow increasingly more complicated (at least until Sky Blue Sky). Summerteeth, Yankee Hotel Foxtrot, and A Ghost Is Born will leave plenty of tricks to be figured out.

Vocal Complexity: 7. Not unlike the Damon Albarn model. Jeff Tweedy’s smoky rasp comes off casual and easy, but turn the radio down and try to sing along with “Ashes Of American Flags.” It’s not pretty.

Storyline: 7. After every album you get to replace at least one band member.

Fun Factor: 8. While a lot of these songs are lyrically dark, they can be a lot of fun to sing (case in point: “Say You Miss Me.”) Plus, I’ve been listening to these guys like crazy for years and I’ve yet to get sick of them.

X Factor: 6. Every half an hour you get to press the “Ignore” button on virtual Jeff Tweedy’s phone when the caller ID comes up “Jay Farrar.”

Party Track: “I’m A Wheel” (Wilco usually doesn’t play this fast. They should do it more often.)

2. Rock Band: The Replacements

Instrumental Complexity: 7. Half the time I don’t think Bob Stinson had any idea how he was tearing off those solos. Good luck.

Vocal Complexity: 6. Paul Westerberg’s rasp is one of a kind. And his melodies are very, very underrated. Nailing the hooks on “Kiss Me On The Bus” or “I Will Dare” is a lot more difficult than it seems.

Storyline: 9. Drugs, alcohol, every venue in the Twin Cities, Bob Stinson in drag, drugs, on stage fights, five night stand at the Entry, firing Bob Stinson, alcohol, signing to a major label, alcohol, playing the American Music Awards, alcohol, opening for Tom Petty, drugs, breaking up, alcohol…

Fun Factor: 10. It’s tough to think of a band that would suit this game any better. From the early punk stuff (“Shiftless When Idle”) to the mid-period zenith (“Alex Chilton”) to the dark pop at the end (“Achin’ To Be”), this whole catalog was built for air guitars and singalongs.

X Factor: 9. Game comes packaged with two flannel shirts, a carton of Camel Lights, and two cases of Premium. Enjoy the ride.

Party Track: “Bastards Of Young” (Just to hear the whole room do the scream at the beginning.)

I can’t believe you actually read this far. Thanks. You kick ass.

1. Rock Band: The Smiths/Morrissey

Instrumental Complexity: 9. If it took Jonny Marr seven different guitar bits to make “Still Ill,” just imagine trying to reassemble it with one fake guitar. Also, Andy Rourke and Mike Joyce were no slouches.

Vocal Complexity: 10. Lord knows, we all have our own version of “Morrissey” that turns up everytime “Hand In Glove” comes on. I’m willing to bet that most of us aren’t even close.

Storyline: 7. Personally, I’d put it at a 10, but I’ve read 3 books detailing the career of The Smiths. I hope you enjoy hiring managers and bickering with GeoffTravis.

Fun Factor: 10. The catalog is soooo deep. You could probably stretch this into two games if you wanted. You could even package The Smiths version with a tacky badge.

X Factor: 9. Unless you live in England, this catalog may not be well known. However, if you do have a few Mozzer loving friends, I can’t imagine anything more fun than watching them sing “Bigmouth Strikes Again” with a bouquet of flowers in their back pocket.

Party Track: The Smiths “There Is A Light That Never Goes Out” (Close second: “Some Girls Are Bigger Than Others”) Mozzer “Suedehead” (“I am a-so sick-en-da nowwww”)

Well, that’s that. You’re never getting those 15 minutes back. Check back again when they figure out a good way to make a hip-hop version of Rock Band.

Saturday, September 5, 2009

Flatbasset-September '09

Hey, I realize I haven't gotten around to posting a track by track of those Minnebasset posts from last month yet. I'll get there. It's been a busy month. Once I get internet hooked up at my apartment you'll probably be hearing from me more than you ever wanted.

Anyway, I don't need the internet to put together a mix, just deliver it. So here's September's. I tried to make it exclusively with artists who haven't appeared on any other mix. I nearly succeeded (Damn that clever Aesop Rock!)

Flatbasset-September '09

Letters, numbers, dinner, bed...

Alright, update.

01. Uncle Tupelo - Gun

Before they broke up, Uncle Tupelo wrote a handful of classics. This is the best of them. I’m sure it drives Jay Farrar nuts that one of Jeff Tweedy’s songs is the defining Tupelo song. Even though Tweedy’s lyrics are a little obtuse, I love the way the chorus ranges from angry (“Don’t tell me which way I ought to run…”) to self-pitying (“My heart, it was a gun, but it’s unloaded now…”), perfectly capturing the conflicting emotions of a break-up.

02. Portugal. The Man – People Say

I had always though Portugal. The Man was one of those bands that was not immediately accessible. I still have no idea what the rest of their catalogue sounds like, but this song goes down like sweet, sweet candy. Even if the lyrics seem to have come about 4 years too late (“I’m a president’s son, I don’t need no soul…”), that 70’s groove of a lead guitar bit and a singalong chorus are more than enough to keep this one coming out of my Taurus’ speakers.

03. I Self Devine – Sunshine

One of the things I love about I Self Devine is that no matter how lush the beats are, his delivery always sounds as cold and hard as Lyndale North. Stone cold flow aside, Ant is the star of this one. I would love to have the instrumental version of this song.

04. Refused – Summerholiday Vs. Punkroutine

If you somehow lived the last 11 years without a copy of Refused’s The Shape Of Punk To Come, do yourself a favor and pick it up. Before they broke up, they were really onto something. This one's so good that P.O.S. stole the chorus for his on track.

05. Greycoats – Goodbye, Sweet Youth, Goodbye

This month’s favorite Minnesota-based track from The Current’s Song Of The Day. Obviously, with a title like “Goodbye, Sweet Youth, Goodbye, the song is inviting a contemplative vibe. It’s energetic, yet somehow resigned. As someone who’s getting to the age of saying goodbye to youth, I can totally relate to that feeling.

06. Public Enemy – Rebel Without A Pause

This song is so good that, even though Flava Flav has since used his 15 minutes of fame to realize his true dreams of being an absolute jerk off, it still sounds groundbreaking 20 years later. Plus Terminator X has more cuts than a six pack of Bic razors.

07. Ted Leo & The Pharmacists – Who Do You Love?

Although I love this song, it always kind of disappoints me because it stands as an example of the fact that Ted Leo seems to have hit some sort of wall. That little harmonizing bit at the beginning is what passes as a new twist to a Ted Leo song. That’s disheartening. However, he still does what he does better than just about anybody else, and for that we should be grateful.

08. Daft Punk – Veridis Quo

The first time I heard this song I thought it was going to be great and then about halfway through I just got bored. Nothing was happening. Then, the more times I listened to it, the more I realized that that’s the beauty of it. Things fade in and out, the little keyboard line gets harmonized, and that’s that. It’s hypnotic.

09. Pulp - Underwear

“If fashion is your trade, then when you’re naked, I guess you must be unemployed…” You should see me singing along to this in my car. I think I might be Jarvis Cocker for Halloween.

10. El-P (w/Aesop Rock) – Run The Numbers

El-P’s I’ll Sleep When You’re Dead album is one of my absolute favorite albums of the last 5 years, but if you told me I’d be saying that after the first time I heard it I would have probably quit talking to you for five years, only to come back with my tail between my legs. You can almost feel the boundaries of “hip-hop” disintegrating in your ears.

11. Magic Wands – Black Magic

This month’s favorite non-Minnesota-based track of The Current’s Song Of The Day. I get the impression that Magic Wands might be one of those indie bands that only strikes on genius once, but that’s enough. When they get around to doing a 2000’s indie version of that Nuggets series, this will definitely be one of those brilliant, forgotten, um, nuggets.

12. Beastie Boys – The Move

“Dogs love me ‘cause I’m crazy sniffable!” I love the Beastie Boys.

13. Cursive - Caveman

I’m really loving the new Cursive album. It makes me feel like I’m 18 years old again. Who doesn’t feel like burning it all down and starting fresh every now and then?

14. The Clash – Rudie Can’t Fail

This is one of my all-time favorite songs of all time. Talking in my Top 10, man, I put that on the hood. Somehow The Clash wrote the second greatest two-tone song of all time, despite not being a two-tone band. That's a real testament to the brilliance of the band during the London Calling phase of their career.

15. Hot Hot Heat – Get In Or Get Out

I realize that this song is not actually about Minneapolis (I think it’s probably about Vancouver, in which case, the vote seems to be “get out.”). Still, after listening to people at bars and at work talk about how it’s getting cold and they hate the winter and they want to move to Seattle, I’m co-opting this song. I didn’t want it to come to this, but you’ve left me no choice. I’m pulling the alarm. It’s our city, so get in or get out.

Sunday, August 2, 2009

Flatbasset-August '09

Here's a very special Flatbasset mix(es) for the month of August. When I left Minnesota I posted two mixes worth of Minnesota music on my last.fm site. To celebrate my return to the land of snow & purple rain, here's two more mixes filled with local love.

Minnebasset (Pt. I)
Minnebasset (Pt. II)

Click the link, type the letters & numbers, click regular download, sit back and listen with a plate of tater tot hotdish and a cool bottle of Premium.

Wednesday, July 8, 2009

Flatbasset-July '09

Last month I received complaints that the mix was too obvious and the songs were all kinda played out. I tried to dig a little deeper for this one.

Click the link, type the numbers, download, enjoy!

http://www.megaupload.com/?d=ZEE4C46K

So I'm 20 days late. It's not like anyone reads this blog anyway.

01. Sage Francis - Strange Fame

"I wake up with a kitten in my face and that's not innuendo..." God I love indie rap.

I picked this up off Sage Francis' new mixtape Sick Of Wasting... You can download it free at the Strange Famous records website. The record is pretty spotty, but it's a free mixtape, what do you expect?

02. Viva Voce - Rose City

This was my favorite song from The Current's "Song Of The Day" selections for June. Even though I'm sick to death of hearing about how great Portland is, I thought this was a pretty endearing, non-hip-hop "big up to my home city" type song. I especially like the line about bands in basements multiplying and exponentially dividing. Seems to me that that's a pretty good way to describe the Portland scene.

03. Descendents - When I Get Old

Throwback! If you had the good fortune of knowing me between the ages of 17-22 you know that I was absolutely obsessed with the world of Descendents/All. I finally grew out of it, but I still sing every word of those songs while I'm driving. This one struck me because I probably heard it first about 10 years ago and, now that I'm old, I find that I still have no idea what it'll be like when I get old. Ah well...

04. Jeremy Messersmith - Virginia

I don't always go for the singer/songwriter thing. In fact, some days it's the last possible thing I want to hear, but The Silver City is probably one of my favorite records of the last year. I bought it on the strength of "Franklin Avenue," but found the whole album to be enjoyable. I could probably put one song per month from that album on the Flatbasset mixes, but it would probably alienate the three people who actually download it.

05. Paper Tiger - Cannonade

As you have no doubt noticed by now, I will buy and talk up anything put out by the Doomtree family. This one is for people who haven't dug any deeper than the MC's. Paper Tiger, Lazerbeak, and MK Larada are stellar producers in their own right. Paper Tiger's False Hopes is only 8 tracks long (and only one with a Doomtree MC), but it's half an hour of beat junkie bliss. Definitely worth the $7.99.

06. New Order - Round & Round

A couple months back I put the Pet Shop Boys "West End Girls" on a mix and talked about how enjoyable the "Best Of..." albums from those old British dance groups are. Well, guess where this one came from. If you guessed Singles, give yourself a gold star.

I realize that this song sounds particularly 80's (those keyboards at the beginning made me cringe the first time I heard them), but that chorus is sooooo good. Bernard Sumner famously puts little thought into his lyrics, but damn can that man wrap his voice around a hook.

07. Haley Bonar - Something Great

Big Star got a lot of love from the Twin Cities press when it was released last year, but I just never got around to it. I was actually trying to download a Big Star album the other day and this one came up. I downloaded it on a whim and was pleasantly surprised. The album avoids the mistake of presenting any big ballads and just kind of hums along at this breezy pace. The first time I heard it i thought it was a perfect complimentary album to Messersmith's The Silver City.

08. Buck 65 - Way Back When (K-OS Remix)

Goddamn Canadian Rap Music!

09. The Stone Roses - Going Down

I'm such a junkie for this late 80's/early 90's British stuff. I particularly like this song because the Roses slow things down from their usual Madchester dance shuffle and let the hooks speak for themselves. I wish they would have done this more often.

10. Motion City Soundtrack - Better Open The Door

I don't give Motion City enough love. They're really one of the better pop-punk bands out there. This song is basically about living it up in MPLS on the weekend with your friends. I can get behind that.

11. Big Quarters (w/Nomi) - Stories High

Medium Zach & Brandon Allday came up with an fairly clever plan to help Big Quarters survive in the uncharted waters of the music industry. They created BQ Direct. For $5 a month you get five tracks e-mailed to you on the 5th of each month. The songs aren't always fully formed, but it's something to look forward to each month. And sometimes you get tracks like this. Plus both of those guys are pretty cool dudes. If you see 'em at the Turf Club, say hey.

12. Digitata - Marinos Amores

I took this one off of the Musicapolis 2007 compilation that I picked up at, believe it or not, the Musicapolis hip-hop show back in 2007 at the Minnesota Institute Of Photography (that may not be its official name, either way, it no longer exists. RIP Musicapolis). Phil and I were there covering it for a music blog on a super fucking hot day in MPLS. Digitata opened the show, playing directly under the sun. I remember we all stood about 50 yards away from the stage because that was the nearest shady area. Good times.

Sidenote: We also discovered Caffrey's Deli that day. Musicapolis, the gift that keeps on giving.

13. Kanye West (w/Pharrell & Lupe Fiasco) - CRS

Kanye West has stated several times that he's a huge fan of Radiohead & Thom Yorke specifically. He views them as one of the few contemporary artists that's on the same level he is (nevermind that The Bends came out while he was stealing khakis, but I digress...). I feel like Kanye could chop up Radiohead records all day and put out a brilliant record. Bringing Lupe & Pharrell along for the ride is just gravy

Sidenote: I have no idea if this is the actual title of this song. This is what I got when I downloaded it.

14. Constantines - On To You

Goddamn Canadian Rock Music!

I put this and Buck 65 on in celebration of Canada Day. It's not all Feist records people!

15. P.O.S. - All Along The Watchtower

Alright, I know I've put about 40 P.O.S. songs on this mix in 5 months, but I couldn't resist this one. I found it on the Meat Tape mixtape I picked up at Fifth Element. I never thought I'd hear a version of this song that I'd want to hear twice. Maybe if Dylan had dropped a line about the Triple Rock...

16. Two Harbors - You Pulled The Rug Out

This was my favorite of the Minnesota songs from The Current this month. One of my favorite things about the Twin Cities scene is the rough-around-the-edges sound that so many of the rock bands lifted from The Replacements. I think this song sounds like a Band Of Horses song if they had spent more time in the Twin Cities.

17. Elvis Perkins - Sleep Sandwich

A nice, slow burning closer. I saw Elvis Perkins a while back and, once I got over the lovely "While You Were Sleeping," I found this song to be my favorite on his Ash Wednesday album. The drumroll leading into the chorus and the surprise appearance of a theremin are the types of little things that turn a good song to a great one.

Sidenote: Ash Wednesday is my "go to" record when I'm hungover. If you ever see that it's been played on my last.fm site, you can bet I'm in rough shape.