Saturday, May 30, 2015

Album Of The Week: "Healthy Steps" by Straya



Flatbasset Radio's Album Of The Week for the week of May 25th-31st:


Straya - Healthy Steps

01. 2.0
02. Treat Me Like Prince
03. Richard Baggins
04. Sports Song
05. Set Me Up
06. Hazel
07. Killer Mike Saved My Life
08. Sauceman's
09. Comma Spaceman
10. Brotherman
11. You Can't Put Me On The Spot Like That, Man


Straya's been bubbling under the surface of the Twin Cities guitar scene for a couple of years now.  Their indie-prog sound perhaps a bit at odds with the loud-fast-scrappy guitar sound that's been the scene's calling card for years now, they seem to have been biding their time until they were able to present their music to the standards they require. While Healthy Steps is technically their debut album, if you've been following along since 2013. you'll notice that the album is the culmination of a lot of time and attention to detail.

When Straya first turned up on my radar, the only thing on their Bandcamp page were records titled Demos & EP One.  On those early albums the band's sound was similar to local legends The Plastic Constellations.  The guitar work was intricate, the lyrics were mostly yelling, and the band staked their post-punk claim with chops & charisma more than anything else.  Nonetheless, I enjoyed them enough to play "Chronologies" way back on Flatbasset Radio: Episode #35.

While neither of those albums appears to be available any longer, the fact that I was able to spend time with them gave me a deeper appreciation for where they're trying to go on Healthy Steps. The first half of the album opens with an instrumental titled "2.0," which, considering how the first half of the album gives us definitive versions of previously released songs, is an appropriate jumping off point.  "Chronologies" grew and morphed into "Treat Me Like Prince," previous stand-alone single "Richard Baggins" has been given an atmospheric scrubbing, while early classic "Set Me Up, Hazel" has been broken up into a two-part, high-octane centerpiece.  The lone new song on the records first half, "Sports Song" is a keyboard-inflected 5:00 epic that features Rush-esque time signature changes and vocals that wouldn't be out of place on a These Arms Are Snakes album.


With the instrumental "Killer Mike Saved My Life" acting as a mid-album palette cleanser (and most of Straya's older songs having been given their "definitive version" treatment) the second half of the album is where Straya 2.0 shines.  The four song "Man Suite" (as I've taken to calling the second half) is easily the band's most ambitious statement yet.  Over the course of 18:35 the band indulges in keyboard plunks, time changes, stops, starts, screamed vocals, shoegaze, clarity & fuzz.  "Sauceman's" opens with some keyboard/drums/bass work that would make both Donald Fagen & Geddy Lee proud before going full Minus The Bear.

A reworked and expanded "Comma Spaceman" follows and stands as the band's most fully realized track to date.  For the first three minutes the keyboards soothe, the rhythm section stretches out and breathes, and lovely vocal melody floats to the forefront.  However, at the 3:00 mark, the band eschews their prog-rock leanings and launch into a full-fledged, thirty second My Morning Jacket-esque guitar solo before returning the songs to its roots.  Of course, they break it down & build it up one more time just for good measure because hell, "definitive version" should mean "definitive version."



Penultimate track "Brotherman" is the hyperactive brother of the multi-part monster that was "Comma Spaceman," still packed with ideas, but delivered in rapid succession.  Straya almost seems to be testing their own limits by seeing how many ideas they can pull off in 4:00.  Turns out: quite a few.

After the speed workout of "Brotherman," all of the pieces of Healthy Steps are assembled on "You Can't Put Me On The Spot Like That, Man."  As much as I've compared the band to Rush so far, this is the point where the comparison becomes clear and valid.  The speed of "Brotherman" is gone.  The well-known & well-rehearsed pieces of "Comma Spaceman" are also gone.  What we have with "YCPMOTSLTM" is a brand new mission statement from Straya.  Combining their prog-rock cues with a Zeppelin-esque flair for the dramatic, it's an epic album closer that seems to double as the opening salvo for where the band hopes to head next.

Healthy Steps is an expansive, rewarding listen, but if the band makes one thing clear with this album it's that the decks are now clear.  All of those older songs have been set in stone while the new tracks seem to be just scratching the surface of what the band is capable of.  Whether Healthy Steps ends up being the beginning of a long-proggy journey or and as an end point for a band pushing as many ideas as possible onto one record, it's bound to stand as one of the most unique albums to come out of Minnesota this year.

If you'd like to check out Healthy Steps for yourself, head over the Straya's Bandcamp page to download the album or order one of the limited-to-100 CD's that I'm assuming are still available since they're still on the Bandcamp page.

Monday, May 4, 2015

Flatbasset Radio: Episode #58


Don't be sad at all...


Well hello again, pseudo-radio fans!  Welcome to Flatbasset Radio: Episode #58!

That's right, for the first time in as long as I can remember I managed to actually post two episodes a week apart.  I feel like you owe it to me to give this one a listen.

I'm flying solo yet again this week (long story), but I still managed to complain about the NHL playoffs, wonder about my dog's actions, fall for a rapper's (possibly false) back story, struggle with my French accent, begin the healing process with America's largest purveyor of exceptionally addictive coffee, rail against this "May the fourth be with you" crap, make a case for 2015 as one of the greatest music years ever, reintroduce Sweden's greatest hardcore band, revisit a classic from my teenage years, celebrate the redemptive power of loud guitars, and remember how ridiculous I was in my 20's.  All that plus the Cover Of The Week & the Flatbasset Flatclassic!

As always, Flatbasset Radio is completely free. Just click the Mixcloud player below and you're good to go.



01. The Cribs - Burning For No One
02. X - Amoir Nior
03. Nostalgia 77 - Little Steps
04. The Strokes - Life's A Gas
05. Jawbreaker - Sluttering (May 4th)
06. Junior Boys - Hazel
07. Refused - Elektra
08. All - Miranda
09. Jack DeJohnette - Epilog
10. BNLX - Light It Up
11. The Jayhawks - I'd Run Away

There you have it. Enjoy!

Saturday, May 2, 2015

Flatbasset Radio's 50 Most Played Albums: April '15


Well hello again, everybody.  Welcome to the always compelling monthly recap of Flatbasset Radio's 50 Most Played Albums of the previous month!

April has come and gone. The last of the snow melted, the rain washed away what was left, the boys of summer began yet another campaign, the boys of winter began their Quest For The Cup, and I finally got back to posting podcasts.  As per usual, I listened to a ton of music while all of that was happening.  Good times, April.

Let's have a look at what was getting the most spins around Planet New Basset.  As always, one "play" = one song.  So an album with ten songs on it would be registered as ten "plays."  Larger pictures indicate more plays.

(Quick Note: As you can see, the largest box in the picture is a blank grey album.  That's supposed to be a picture of What Tyrants' new album No Luck.  I have no clue why the Album Cover Collage Generator is refusing to accept its right to life.  As a consolation, go back and read my AOTW column about No Luck.  It's a gem of an album.)



01. What Tyrants - No Luck (78 plays)

02. Straya - Healthy Steps (77 plays)

03. The Cribs - For All My Sisters (70 plays)

04. Plums - Jen (56  plays)

05. Murder Shoes - Murder Shoes (40 plays)

06. Various Artists - Expansion Sound Vol. 1 (34 plays)

07. Drake - If You're Reading This It's Too Late (34 plays)

08. Elvis Costello - This Year's Model (26 plays)

09. Art Brut - Bang Bang Rock & Roll (24 plays)

10. Millencolin - Same Old Tunes (25 plays)

11. Various Artists - Limited Fanfare Records Spring/Summer Sampler 2015 (24 plays)

12. Bad Religion - Generator (22 plays)

13. Ryan Adams - Ryan Adams (22 plays)

14. Dfalt - Greyscale (22 plays)

15. Pink Floyd - Animals (20 plays)

16. The Jam - Greatest Hits (19 plays)

17. Wretch Like Me - New Ways To Fall (19 plays)

18. The Cure - Greatest Hits (18 plays)

19. The Durutti Column - The Return Of The Durutti Column (18 plays)

20. Killer Mike - Sunday Morning Massacres (18 plays)

21. Ratking - 700 Fill (18 plays)

22. Human Kindness - Live On Radio K (2015) (17 plays)

23. Bruce Springsteen - Born To Run (16 plays)

24. The Notorious B.I.G. - Ready To Die (16 plays)

25. Baishe Kings - Eyes Of Mark Mixtape (16 plays)

26. Cruel Love - Cruel Love (16 plays)

27. Kendrick Lamar - To Pimp A Butterfly (16 plays)

28. Various Artists - Trainspotting (14 plays)

29. Dfalt - Dfalt (14 plays)

30. Douga - [] / Dancing In The Garden (14 plays)

31. The Jayhawks - Tomorrow The Green Grass (13 plays)

32. The Stone Roses - Second Coming (13 plays)

33. The Future Sound Of London - Dead Cities (13 plays)

34. Jay-Z - MTV Unplugged (13 plays)

35. Division Of Laura Lee - Black City (13 plays)

36. She & Him - Volume One (13 plays)

37. Death Grips - The Money Store (13 plays)

38. Human Kindness - Not Apathetic (13 plays)

39. Morrissey - You Are The Quarry (12 plays)

40. Ivy - In The Clear (12 plays)

41. Big Star - #1 Record (12 plays)

42. Foo Fighters - Echoes, Silence, Patience, & Graces (12 plays)

43. Jens Lekman - Night Falls Over Kortedala (12 plays)

44. Radiohead - Airbag/How Am I Driving? (12 plays)

45. Sean Na Na - Family Trees Or: Cope We Must (12 plays)

46. Oasis - Definitely Maybe (11 plays)

47. The Velvet Underground - The Velvet Underground & Nico (11 plays)

48. Kool A.D. - Word O.K. (11 plays)

49. Jarvis Cocker (11 plays)

50. Son Volt - Trace (11 plays)

Information via my Last.fm account
Photo via Don't Drink And Root 

Friday, May 1, 2015

Album Of The Week: "Murder Shoes" by Murder Shoes


Flatbasset Radio's Album Of The Week for the week of April 26th-May 2nd, 2015:


Murder Shoes - Murder Shoes

01. Charlotte Manning
02. Maybe You Can
03. Under The Sea
04. See A Little Louder
05. In Your Bed Or On A Train

Credit: Aaron Fenster
Over the past year or so Land Ski Records has proven to be a haven for local talent.  With releases from The Persian Leaps, The Person & The People, & Deleter under their belt, they've proven that they not only have a keen ear for talent, but more importantly, that they're a label for bands that take their craft seriously.  That's no slight to the dozens of great labels in the Twin Cities (it was just last week that I was singing the praises of Forged Artifacts & No Problem Records), but every album that's come out so far via Land Ski has been well-crafted, well-produced, and professional.  Nothing the label puts out seems "off the cuff," and I mean that as a compliment.

With that reputation in mind, I was thrilled to spend the week with the new EP from local band Murder Shoes.  The description of the band described them as "Surf Noir," a genre that, as far as I know, hasn't really existed before.  After spending the week with the album, I can say that description only scratches the surface of what's going on here.

Consisting of Tess Weinberg on vocals & keyboards, Chris White & Derek Van Gieson on guitars, Elliot Manthey on drums, & Tim Heinlein on bass, Murder Shoes write, at their core, pop songs.  Oh sure, the songs have a bit of that "surf rock" guitar twang to them (especially "Under The Sea"), but unlike some bands, that aesthetic seems to be just a stylish bit of window dressing for finely crafted pop songs.

Opening track "Charlotte Manning" is particularly ndicative of what makes Murder Shoes unique.  The song is a slow-burn opener for the EP that says as much with its empty space as it does with Weinberg's haunting voice or the surf-ish guitar solo in the middle.  Give it a listen:



Weinberg makes her talent evident throughout the album.  On "Charlotte Manning" she sounds like Beth Gibbons.  On "Maybe You Can" and "Under The Sea" she manages to sound like Jenny Lewis.  Along the way the band stays tight & tasteful, making the most of the openings in the songs with catchy guitar fills and never resorting to being, for lack of a better word, goofy (a frequent problem with bands in and around the "surf rock" genre).

Perhaps the most intriguing moment of the EP comes on closing track "In Your Bed Or On A Train."  With Manthey & Heinlein working up a rumble worthy of the titular train and White & Van Gieson working out some descending surf licks, Weinberg spins a tale of heartbreak & anger.  Poignantly, the chorus is a wordless one, consisting only of Weinberg cooing.  It's a clever move that brings the EP full circle from that use of open space on "Charlotte Manning."



While I sincerely recommend checking out Murder Shoes (available at Murder Shoes Bandcamp page), I can't wait to see where the future takes the band.  The members of Murder Shoes have been making music for a long time and, according to interviews, have a vast array of influences.  On this EP they seem to be pulling at the margins of the newly invented "Surf Noir" genre.  Enjoy it before they move on.

Murder Shoes is playing an album release show at the Red Stag Supperclub on May 3rd.  Probably ought to look into that too.